I must agree with Mapman, omnis take some getting used to, but once you get used to them it is hard to go back. My speaker system is very similar in its presentation to an omni, and I have always liked the spaciousness and soundstaging of speakers like mine, the Ohms, Shahinians and mbls. I find it difficult to break away from that presentation, as it is one aspect of the reproduction of music through electronics that can, in my view, make a recording sound more like a real, live event (another being dynamics; there are plenty more that come into the equation as well), and one that I place a priority on. I will acknowledge that some of the soundstage is probably created by the speakers and the room they're in rather than an exact reproduction of the recorded venue, but there is still good image location and palpability within that soundstage, maybe not as pinpoint as with a traditional speaker but perhaps more like what you'd hear in real life.
All that said, there are different priorities that each person has in their listening biases, and I was impressed with the Boxers, I thought they were among the best monitors that I have heard. You will not find them bass shy unless you listen to a lot of recordings with significant output below 35-40 Hz, and in a smaller room their dynamic restrictions are not likely to come into play.
All that said, there are different priorities that each person has in their listening biases, and I was impressed with the Boxers, I thought they were among the best monitors that I have heard. You will not find them bass shy unless you listen to a lot of recordings with significant output below 35-40 Hz, and in a smaller room their dynamic restrictions are not likely to come into play.