Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

I like this one; the older gentleman with the sensuous younger lady, realizes he does not have too many Tangos left, consequently, he must make the most of each and every Tango.


                  https://www.youtube.com/watch?v=tir5_m6E4lc


              https://www.youtube.com/watch?v=jOagc0YQSp0
Argentinian tango is a very different form.
Easy to dance wrong, just like flamenco.
OK, Jazz aficionados help me understand some of the older jazz recordings. To give you a background my all time favorite is Coltrane Blue Train, absolutely love it, fabulous recording. When I listed to some of the other older jazz recordings, while the artist and music is great the recording bothers me because it is so heavy in left and right channel with nothing in the middle for  sound stage. Recordings like Blue Train have a wide soundstage well laid out. Others have sax and piano coming from the left speaker and drums coming from the right and nothing in between. Is this typical of the late 50's early 60's?

I am every bit as much audiophile as the most extreme; however, music trumps everything else, and I take what I get when it comes to Jazz in regard to "audiophilia".