When is digital going to get the soul of music?


I have to ask this(actually, I thought I mentioned this in another thread.). It's been at least 25 years of digital. The equivalent in vinyl is 1975. I am currently listening to a pre-1975 album. It conveys the soul of music. Although digital may be more detailed, and even gives more detail than analog does(in a way), when will it convey the soul of music. This has escaped digital, as far as I can tell.
mmakshak
Yeah, I used to think that digital couldn't or wouldn't be able to convey the soul and emotion of analog. I'm happy to report that I was completely wrong.

The acid test for me is whether the reproduced music can affect me emotionally enough to bring tears to my eyes. Mind you, this happenstance is rare enough with extremely competent all-analog systems.

But recently, my digital source has managed that feat and managed it on several occasions. This is how I can tell that digital is getting extremely close to the live performance -- provided you use the right gear and set it up properly. This really did not happen until I tried my latest system configuration. So it is possible and it can be done if you're lucky enough to hit on the right combination of components (and the synergy is with you).
I'm not going divulge all the components I'm using at this time, but I can tell you it's an all solid-state system using NuForce Reference 9 amplifiers into VMPS RM30 speakers. Listening to it, I don't miss tubes, and I don't miss vinyl, or even R to R tape.

Now I'm off to the CES. I'll see you all later.
I am just getting in to analog, along with digital system I already have. I agree with Plato. If you are lucky enough hit the right combination of components, it is possible to get there.

My digital system, at most times, makes me feel that I got it made. I am trying find faults and kind find any at most times. I have tried much more expensive source, pre-amp, cables- but I keep coming back to my this combo. My recent very good analog system (goose bump amd wow factor inducing) auditions only confirmed that I got it made. My digital (nothing fancy- no upsampling, no multi buck) source is pretty basic and cost under $2000 retail. It somehow works in my set up. And all this in not an optimum room set up. This system sounds almost like analog, with little more detail and presence. No hash. Zero background noise. Very Dynamic. Music emerges from black front or rear of the soundstage.

So it is possible to get soul with digital.

Although I am learning that getting there in analog is much more easier than digital. I would say analog gets you there rather easily. Digital I am finding out is stroke of luck and much more difficult. Buying best source, best preamp, $xxK amp does not gurantee this in digital.
About half a dozen years ago Red Book started to get it with processes like K@20 Bit.Listen to and old Miles davis "Kind Of Blue" from mid 80's and it new speed corrected latetsversion (the fith I believe).Or an old Pretige LP or say Creedance Clearwater Revival that now uses K2 20 bit. Blows away early CD's.Some SACD's may be neck and neck with vinyl as we speak.I still prefer the ritual and sound of LP's (nad maybe becausse like us them seem more mortal) but I uised to crap over digital and it's true everyone with Ipods and MP# has been 'dumbed" dow but I am also after 20 yers of digital excited to se PURELY ON A SOUND BASIS if a $300 CD playyer (or whever format they call it) sounds like a/b'd with $500 or $2K analogue rig.We may be in for a shock.That plus even if it is LP's it will be played through digital amps.Take how a DEQX 2.6 for a rsonmable price and have our jaw drop at what it does to the 50% factor of your room.Someone will have to help you pick your jaw up and jam, your tongue in again even if it's that 1957 deep ghroove ABC/Paramount LP that was the source.
Chazzbo
It does now and might not have heard a well matched digital front end system.