Eminent Technology ET-2 Tonearm Owners

So given those factors, a cartridge with a compliance number higher than 20 should pair best with my current tonearm setup?

Hi Djspinner 

From a numbers view point it would be the most "plug and play".... but here's the thing. I can tell you that there are people here that are using very low compliance carts like the Denon 103 with the aluminum armwand, and they have made changes in their kit to improve "the sound". Some have modified the actual aluminum armtube itself, added less resonant wrap to it, or filled the head of the wand with material. Others have made other modifications further down the chain of gear.  fwiw also I run all MC cartridges with no load. If your preamp/phono stage can take it and stay stable...try it.

@stuogawa 

Hi Stu - what speakers are those in your room?  

Cheer Chris  

@ct0517

I built and using the Siegfried Linkwitz’ LX mini + 2 speakers

https://www.linkwitzlab.com/LXmini/LXmini+2.htm

Siegfried and Nelson Pass (Pass Labs / PassWorks) collaborated and designed an active analog JFET crossover for the this specific system (neighbors in NorCal). Fun build.

https://www.magiclx521.com/epages/17940394.sf/en_GB/?ObjectPath=/Shops/17940394/Products/%22ASP%20mi...

I was a 30 plus year fan of bipolar speakers (Acoustats, Magnaplanar II’s and Tympani’s). I stumbled upon the Linkwitz/Pass collaboration at the San Francisco Burning Amp about 4 years ago. These were also a fun build...and now my final speakers for my lifetime. 

System to drive the LX Mini + 2 system:

Sota --> Wavestream Kinetics phono tube preamp --> Wavestream Kinetics tube line --> Pass crossover

Pass crossover output 1 (full range) to MFA 200c tube mono amps --> LX mini Seas full range speaker

Pass crossover output 2 (woofer) to Audio Research SS --> LX mini Seas woofer

Pass crossover output 3 (sub woofer) to Audio Research SS --> LX subs (Seas)

@stuogawa

Really cool speakers and kit. Congrats
Whenever I put my own time and skills into building and modding components there is always a tendency to want to keep, hang on to those components. There is a pride element with the B&W Electrostatic Speakers I restored last year. I have real problems with speakers. Tonearms are easy there is only one. 8^0
Speakers are like boats to me. Never met a speaker I didn’t like, and could not make work in a room, given freedom in the room. If I stay in a room long enough a system usually ends up in there and speakers take up the most space. Your speaker design is very attractive from this point of view. Case in point, I am having a hell of a time trying to sell some custom Acoustat Model 3’s. I have multiple rooms, multiple speakers, and I am going to one large room. Not really an environment to have people audition the sale of speakers. 8^0 And the records ? I tried trimming some by offering lots for sale. From an interest point of view, one would think I was selling some disease. Unless the records are rock, pop, funk, punk, metal.....
Cheers Chris

Hello all,
Long time away.  I’m about to wander off topic again.  Awhile back I picked up a Denon DL-103M cartridge which I understand many consider the best of the 103 series.  In any event I wasted no time shipping it out to Andy Kim at the Record Doctor.  Andy installed his recommended “upgrade” which I believe was boron cantilever and hyper elliptical stylus.  When I got it back I thought it sounded quite “nice” on the VPI, ET-2 and Garrard 301, Ortofon rigs but nothing to really crow about.   Well, recently I was given a Denon DP-61f turntable in impeccable condition.  (Yep, that’s right, a mid-fi, fully automatic table with adjustable Q no less.). In short order I installed the Denon cartridge and sat back prepared to hear some nice mid-fi music.  Wow, was I surprised.  I’m not sure what’s causing it unless it is just a great symmetry between a Denon table and a Denon cartridge but it is giving my much more expensive rigs a run for their money.  Lots of prat, quite detailed but not harsh and extended on both ends.  A fun 

Considering taking the plunge on a London Decca Super Gold for my ET-2. Was there a consensus about the viability of the current version (SG3) using them with the stock ET-2 aluminum wand tonearm without having a dampening trough?

I'm generally playing VG to VG+ used jazz, country and soul records.  Not beaters, but definitely not pristine audiophile records.  My current Nagaoka MP-110 (which I guess is known as a slightly above average tracker?) tracks just fine.

I also don’t have the ET-provided cartridge alignment card. Given how low the cartridge body rides how hard is it to get the cartridge alignment set? I currently use an old record that I’ve etched aline down from the spindle hole to the outer edge as a guide and it’s difficult to set with my old eyes.