Tracking modern pop recordings with very loud bass


I have an number of newer digital pop sometimes even other genres like modern jazz recordings that I stream from my music library, Spotify, etc. Infusing a lot of very loud bass into modern recordings seems like a popular practice. It really can make you feel the music not just hear it with a good extended hifi system. Does not seem nearly as common in older recordings made 30 years ago or more in the days of analog or even early digital recordings.

Are there any new vinyl releases like this? Can people’s Record players track it? Or do the producers tone it down when mastering for vinyl. This is a result of modern digital mastering techniques commonly used these days so just wondering how well it transfers to vinyl. Any cases in point comparing a streamed version to one put to vinyl?
128x128mapman
What are you talking about ?

You’d better go to a party to hear some Drum & Bass spinning by your local DJ on vinyl, it will blow you b.....s off. There is nothing but a drums and bass, and it’s on vinyl! An average $50 pro cartridge like Shure M44-7 on $350 Technics SL1200mk2 turntable tracks everything, including some super bass heavy club music recorded and mastered digitally and pressed on vinyl. Even if the music is nothing but shit, technically, it’s not a problem to reproduce deep bass that will shake buildings in the nearest blocks if there is a festival or some rave nearby with sound system that can be dangerous for your health.

Asking about "bass" you have to remember club culture and electronic music of the 80’s and 90’s before digital !

If you want to go deeper in details read about special mastering for vinyl and you will find tips about bass (it must be in mono). 

It make no sense to compare overcompressed digital electronic music to real live music. What they do in electronic music does not exist in real live music. If you want to check the extreme then electronic music is a good example. 

A proper music can be recorded direct to disk without any problem with tremendous dynamics and instruments like bass guitar or double bass will be real. 




@mapman, there are many inexpensive setups that will track difficult records beautifully. Take a Rega P3, put an Audio Technica VM95 ML in it and you will have an excellent tracking turntable for $1300
Good to see specific recommendations including table/cart combo. That with tonearm is likely the key based on my experience which is mostly with a bunch of tables from many years ago.

I will keep that in mind for when time comes to replace my old but still beautifully functioning Linn Axis. It’s never failed me on any record I own and I own hundreds, some even (gasp) somewhat warped which is tracking's biggest bane in practice,  but all older releases mostly from the golden age of vinyl, no new vinyl releases.

I had a less expensive Rega Planar table of some sort briefly before the Linn back in the 80s and did not care for the sound, but I never really spent any time to try and get it set up well and that was a long time ago.

Warped records were always the biggest  problem for me in particular prior to the Linn which never has a problem. 

You know of course most older records even new were never perfectly flat.  I suspect never ones are not either.  I suppose one could use a weight or other supplemental gear if needed to address warped records but just neve been an issue with the Linn like prior. 
But can can any good quality vinyl rig track those well? How hard is it and what does it take? Does it take an audiophile vinyl setup to track modern pop recordings like these well? Cost?
@


For the most part, 'any good quality' vinyl rig will do the job, depending on what is meant by 'good quality'. 


I run a Triplanar and I've yet to find anything it can't track effortlessly. People often ask if I'm playing CDs because there simply isn't any distortion (although it is smoother than CDs usually are) and since my preamp is designed with good high frequency overload margins (which isn't hard BTW), my playback tends to be free of ticks and pops.


I run an an LP mastering operation; we use an old Technics SL1200 I got on craigslist for $400.00, for testing to see if our cuts will be playable by a non-audiophile setup. I Installed a Grado Gold in it, and it works really quite well. Of course there are a bunch of things you can do to a machine like that- KAB has lots of cool aftermarket parts for it. So if you are on a budget you can make it happen if you are careful.


The role of the platter pad should not be overlooked! If it is too soft it will affect the bass, if its too hard the highs will be emphasized. The platter pad should be able to absorb vibration from the LP so that the playback is more neutral. So felt and the like really don't work although they are great for DJs.
@atmasphere

What platter pad do you recommend?

 I always felt the issue with the Rega way back when was a thin felt pad on a glass platter.  Just a hunch.

Thanks.