@dukeofdoowop I have not read the thread you have shared, but I will head that way after this post. I am fairly familiar with the pros and cons of active vs passive speakers and the pros and cons.
I would agree that Audessey can pretty easily over do things trying to make it better and in turn make things worse. When we calibrate our dub stages we don't use any auto calibration and do each speaker one at a time. It takes a bit, but the results can't be beat.
Well when mixing in an "immersive" format Dolby Atmos is the format of choice. Everything else gets scaled down from that format. That is including DTS. In Hollywood I am not aware of anyone who mixes in the DTS format... I could be wrong, but I have never heard of it being done.
Dolby has been such a leader in the professional audio community that it is still the benchmark. A Dolby engineer is present during the print master part of the process. They are are literally there with us on the dub stage monitoring the process to make sure all is as it should be.
That being said what you listen to in your own home is up to you. If you find the DTS format works better in your home and you like that better, by all means go for it!
The difference between the DTS and Atmos in a home situation is much more limited in that we are usually not talking about the same number of speakers as are used in a large venue theater / professional dub stage.
You can usually put your receiver on Auto and it will pick the correct format to be used based on the input signal it receives.
When we go to a premiere (in the old days before Covid) and have the ability to pick what format we will present.... I always pick Dolby Atmos if that helps.
Best,
Drew
I would agree that Audessey can pretty easily over do things trying to make it better and in turn make things worse. When we calibrate our dub stages we don't use any auto calibration and do each speaker one at a time. It takes a bit, but the results can't be beat.
Well when mixing in an "immersive" format Dolby Atmos is the format of choice. Everything else gets scaled down from that format. That is including DTS. In Hollywood I am not aware of anyone who mixes in the DTS format... I could be wrong, but I have never heard of it being done.
Dolby has been such a leader in the professional audio community that it is still the benchmark. A Dolby engineer is present during the print master part of the process. They are are literally there with us on the dub stage monitoring the process to make sure all is as it should be.
That being said what you listen to in your own home is up to you. If you find the DTS format works better in your home and you like that better, by all means go for it!
The difference between the DTS and Atmos in a home situation is much more limited in that we are usually not talking about the same number of speakers as are used in a large venue theater / professional dub stage.
You can usually put your receiver on Auto and it will pick the correct format to be used based on the input signal it receives.
When we go to a premiere (in the old days before Covid) and have the ability to pick what format we will present.... I always pick Dolby Atmos if that helps.
Best,
Drew