Thee things:
1. I think it is a mistake to identify great orchestras, great performers, and just buy their stuff. The good people did lots of good stuff, also lots of dogs, and that path overly concentrates you on the mainstream canon. Furthermore, even a single artist can show tremendous variance over the course of a career, e.g. Karajan's Beethoven Symphonies. (And, pace Inna, he would not make my top 10. That's what makes horse races.) There are people who are not household names who have a good take in particular areas. At the moment, my Bernstein, Haitink, Walter vinyl is gathering dust while I'm enjoying Daniel Harding's Mahler.
So, how does one find good stuff? This leads to point 2.
2. To listen well, you have to read. You can learn a lot about wine just by tasting, but there are things you won't figure out unless someone points it out to you. Same with classical music. For finding out what's going on, I read a few bloggers, including Alex Ross, the Opera Tattler, Condemned to Music (who hasn't posted in a while),... But for learning how to listen: I got a lot out of Aaron Copeland's "What to Listen for in Music" when I was a kid. It made me hear differently. Charles Rosen is always a good read. He was an interesting performer, a big and wide intellect, and he carried a very sharp pencil. (Recent piece on him in the New York Review of Books). I recommend Ross' "Wagnerism", and some combination of his "The Rest is Noise" and pushing from a friend led me to start paying attention to more contemporary music. One good thing about developing a taste for 20th/21st century music - when you buy a disc at a garage sale or used book or record shop, it is ALWAYS near mint.
3. Good places to find out about recordings: Listening to the radio is only occasionally helpful. You probably know about the Penguin and Gramophone Guides. I've found good recordings by listening in odd places e.g. Hamelin's recording of Schumann and Janacek forest walks on a flight from Frankfurt to NY. (But for "On an Overgrown Path", find the Firkusny vinyl. It's not available on CD, I think.). I subscribe to emails from Presto Classical and from the master or remastering, Andrew Rose at Pristine Classical. You can learn a lot just from reading their notes. I buy from both.
1. I think it is a mistake to identify great orchestras, great performers, and just buy their stuff. The good people did lots of good stuff, also lots of dogs, and that path overly concentrates you on the mainstream canon. Furthermore, even a single artist can show tremendous variance over the course of a career, e.g. Karajan's Beethoven Symphonies. (And, pace Inna, he would not make my top 10. That's what makes horse races.) There are people who are not household names who have a good take in particular areas. At the moment, my Bernstein, Haitink, Walter vinyl is gathering dust while I'm enjoying Daniel Harding's Mahler.
So, how does one find good stuff? This leads to point 2.
2. To listen well, you have to read. You can learn a lot about wine just by tasting, but there are things you won't figure out unless someone points it out to you. Same with classical music. For finding out what's going on, I read a few bloggers, including Alex Ross, the Opera Tattler, Condemned to Music (who hasn't posted in a while),... But for learning how to listen: I got a lot out of Aaron Copeland's "What to Listen for in Music" when I was a kid. It made me hear differently. Charles Rosen is always a good read. He was an interesting performer, a big and wide intellect, and he carried a very sharp pencil. (Recent piece on him in the New York Review of Books). I recommend Ross' "Wagnerism", and some combination of his "The Rest is Noise" and pushing from a friend led me to start paying attention to more contemporary music. One good thing about developing a taste for 20th/21st century music - when you buy a disc at a garage sale or used book or record shop, it is ALWAYS near mint.
3. Good places to find out about recordings: Listening to the radio is only occasionally helpful. You probably know about the Penguin and Gramophone Guides. I've found good recordings by listening in odd places e.g. Hamelin's recording of Schumann and Janacek forest walks on a flight from Frankfurt to NY. (But for "On an Overgrown Path", find the Firkusny vinyl. It's not available on CD, I think.). I subscribe to emails from Presto Classical and from the master or remastering, Andrew Rose at Pristine Classical. You can learn a lot just from reading their notes. I buy from both.