There’s a lovely new recording of the great Liszt B minor Sonata by the 28 year old British pianist Benjamin Grosvenor on Qobuz.
He really does it justice.
He really does it justice.
Classical Music for Aficionados
I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.
I’ll start with a list of CDs. Records to follow in a later post.
Berlioz: Symphonie Fantastique. Chesky — Royal Phil. Orch. Freccia, conductor.
Mahler: Des Knaben Wunderhorn. Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev: Scythian Suite et. al. DG — Chicago Symphony Abbado, conductor.
Brahms: Symphony #1. Chesky — London Symph. Orch. Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova. Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.
All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.
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@rvpiano RV have had a few listens to young Grosvenor's Liszt recital and yes he certainly does great things with the Sonata and most other things. I don't think he has the way with the three Petrarch Sonnet's though as they seem quite distant and detached, have a listen to Arrau and it's a different ball game. |
"
Ross, by then adept at the organ, entered the Nice Conservatory, where he delved into — and increasingly concentrated on — the harpsichord. “A friend and I used to let ourselves get locked in the conservatory at night,” he told an interviewer in 1986, “and we’d play Bach’s ‘Art of Fugue,’ four hands on a single instrument, until the janitor would kick us out at dawn.” " He Was a ‘Bad Boy’ Harpsichordist, and the Best of His AgeScott Ross, who would have turned 70 this year, died young of AIDS — but not before recording all 555 Scarlatti sonatas. "I am not much into harpsichord, but this man really had the touch.https://www.nytimes.com/2021/02/26/arts/music/scott-ross-harpsichord-classical-music.html?action=cli... |
- 3877 posts total