Of course a digital stream is a replica of the original master. The musicians record to digital or a master is, there is a mix, and the mix is streamed.
And then some want to use a vinyl storage medium. So the mix needs to be cut, with a machine cutting a replica of the signal. Then the replica cut has to be turned into a metal replica of the replica cut. Then the metal replica has to be replicated into many replica stampers. Then the replica stampers - getting older and worse every stamp - produce a replica vinyl. Then your needle vibrates in an approximation of this latest replica of the replica of the replica of the replica of the original sounds. But wait! where has all the bass gone? Oh, it’s not there! It has to be replicated in the phono stages.
I love it when old folks say digital is not the “real music” when they spend years and £10000s arsing about changing their sound with different belts, arms, platters, cartridges, phono stages, buying multiple copies to get a better pressing, etc. You can’t have it both ways.
Digital advocates are more honest, perhaps. Vinyl advocates should just admit it - they are chasing the memory of sound they grew up with, and their ageing ears prefer it because back then technical limitations meant the compromises favoured a range of frequencies which are the only ones these guys can still hear anyway. It’s why mid-range crooners and instruments are so popular with vinyl audiophiles.
And then some want to use a vinyl storage medium. So the mix needs to be cut, with a machine cutting a replica of the signal. Then the replica cut has to be turned into a metal replica of the replica cut. Then the metal replica has to be replicated into many replica stampers. Then the replica stampers - getting older and worse every stamp - produce a replica vinyl. Then your needle vibrates in an approximation of this latest replica of the replica of the replica of the replica of the original sounds. But wait! where has all the bass gone? Oh, it’s not there! It has to be replicated in the phono stages.
I love it when old folks say digital is not the “real music” when they spend years and £10000s arsing about changing their sound with different belts, arms, platters, cartridges, phono stages, buying multiple copies to get a better pressing, etc. You can’t have it both ways.
Digital advocates are more honest, perhaps. Vinyl advocates should just admit it - they are chasing the memory of sound they grew up with, and their ageing ears prefer it because back then technical limitations meant the compromises favoured a range of frequencies which are the only ones these guys can still hear anyway. It’s why mid-range crooners and instruments are so popular with vinyl audiophiles.