Prof - your information is correct. As a company we aimed our products at living-room listeners. Thus the relatively high cost of our enclosures. We assumed grilles would be in place for listening. Over the years, our fabrics became more sheer and less audible, culminating in perforated metal grilles, which are very transparent.
To various degrees, fabric reduces amplitude in the 1.5 to 8kHz range by as much as 1dB. That’s pretty huge, considering that sophisticated listeners can register 1/10th dB differences when sustained over a broad sonic range. The bare speaker will sound more aggressive, especially in less-treated rooms.
To another point. Thiel’s grille frames were used as a significant mitigation to cabinet edge diffraction, and sometimes as wave guides to shape off-axis dispersion. In the case of a very dead room and a listener preference for the additional brightness content, we highly encourage taking the fabric off the frame and using the frame for its engineered purposes. I have also noted wave propagation effects directly on the baffle surface which are tamed by the fabric itself (on models with fabric touching baffle.) Generally speaking the grille is a significant engineering element and removing it undoes significant design effort. I’ll add that many of the long-standing criticisms of the Thiel sound (up-front, in-your-face, tizzy, harsh, etc.), directly result from removing the grille.
Let’s side-step to your model 02s. That model preceded our knowledge and attention to most of these diffraction and wave-guide considerations, but the frequency response is more accurate with grilles on (and overall performance is probably a toss-up. The Renaissance 02 reworks the grille for considerably higher performance while retaining the general aesthetic of the original 1976 design.
To various degrees, fabric reduces amplitude in the 1.5 to 8kHz range by as much as 1dB. That’s pretty huge, considering that sophisticated listeners can register 1/10th dB differences when sustained over a broad sonic range. The bare speaker will sound more aggressive, especially in less-treated rooms.
To another point. Thiel’s grille frames were used as a significant mitigation to cabinet edge diffraction, and sometimes as wave guides to shape off-axis dispersion. In the case of a very dead room and a listener preference for the additional brightness content, we highly encourage taking the fabric off the frame and using the frame for its engineered purposes. I have also noted wave propagation effects directly on the baffle surface which are tamed by the fabric itself (on models with fabric touching baffle.) Generally speaking the grille is a significant engineering element and removing it undoes significant design effort. I’ll add that many of the long-standing criticisms of the Thiel sound (up-front, in-your-face, tizzy, harsh, etc.), directly result from removing the grille.
Let’s side-step to your model 02s. That model preceded our knowledge and attention to most of these diffraction and wave-guide considerations, but the frequency response is more accurate with grilles on (and overall performance is probably a toss-up. The Renaissance 02 reworks the grille for considerably higher performance while retaining the general aesthetic of the original 1976 design.