I’d suggest starting with a single instrument whose sound you know well, ideally something with a full frequency range e.g.piano or cello.
Take a slow movement and try to focus on single notes: Initial attack, decay and reverb. Does it sound thin or full, too harsh or too soft? can you hear the harmonics of the base tone? Does it sound real or muffled or sharp?
Once you are comfortable with say solo piano move on to Trios: apply same approach to the added cello and violin. can you locate each instrument; is there air around each instrument and do they gell together?
Go from there to say a Symphony for strings only: can you hear first and second violins, violas, cellos and double basses in their respective locations? Does it gell or grate with you?
going on to full orchestra: start with piano or cello concertos, same questions.
Only listen to large scale orchestral works once you have become really comfortable with all previous steps and with a bit of luck you might end up liking Mahler and Stravinsky!
Most of all: enjoy the music
Take a slow movement and try to focus on single notes: Initial attack, decay and reverb. Does it sound thin or full, too harsh or too soft? can you hear the harmonics of the base tone? Does it sound real or muffled or sharp?
Once you are comfortable with say solo piano move on to Trios: apply same approach to the added cello and violin. can you locate each instrument; is there air around each instrument and do they gell together?
Go from there to say a Symphony for strings only: can you hear first and second violins, violas, cellos and double basses in their respective locations? Does it gell or grate with you?
going on to full orchestra: start with piano or cello concertos, same questions.
Only listen to large scale orchestral works once you have become really comfortable with all previous steps and with a bit of luck you might end up liking Mahler and Stravinsky!
Most of all: enjoy the music