If you read carefully about the law of the first wavefront and the paper of the 2 japan scientists written in 2008, you will begin to understand why imaging is possible and guess how we can make it with materials means in the context of this law of the first wavefront and his relation to early and late reflections balance in a room...
You will also immediately understand why it is impossible to recreate a natural timbre perception in a room where no imaging is clearly delineated or possible....
Then this is the reason why i affirmed that timbre perception is the benchmark of audio judgement of the balanced relation or the disruptive relation between room and gear....
The recording source i will repeat contains information and cues about the original musical event, but by the recording choices of the engineer about mic. location and types the information about timbre and imaging are no complete without the dynamical addition of what is missing in the recording source and is potentially in the activated room of the listener which will make possible the recreation of the imagin and timbre perception... The frequency response of the controlled room synchronize itself with the frequency response of the audio system....It is my way to describe that but i am not an acoustician....
I learn all that in few hours of arguing with someone who does not seems to know timbre concept nor imaging concept...And by my anterior experiment and experience with my room problem now solved...
I am not a scientist only an average listener dreaming of Hi FI at low cost....
I succeed and anybody with a room can....
You will also immediately understand why it is impossible to recreate a natural timbre perception in a room where no imaging is clearly delineated or possible....
Then this is the reason why i affirmed that timbre perception is the benchmark of audio judgement of the balanced relation or the disruptive relation between room and gear....
The recording source i will repeat contains information and cues about the original musical event, but by the recording choices of the engineer about mic. location and types the information about timbre and imaging are no complete without the dynamical addition of what is missing in the recording source and is potentially in the activated room of the listener which will make possible the recreation of the imagin and timbre perception... The frequency response of the controlled room synchronize itself with the frequency response of the audio system....It is my way to describe that but i am not an acoustician....
I learn all that in few hours of arguing with someone who does not seems to know timbre concept nor imaging concept...And by my anterior experiment and experience with my room problem now solved...
I am not a scientist only an average listener dreaming of Hi FI at low cost....
I succeed and anybody with a room can....