Try as I might, I'll always admire JS Bach more than truly love the guy. Just like Brahms, his stuff often strikes my ears as more contrived than inspired. Either didactic or cranked out for a paycheck. It doesn't help that as the King (or whoever it was) told Mozart in the play Amadeus, there are just "too many notes." It's not that I haven't tried to give him his due, either. My record and CD shelves aren't exactly devoid of the dude. I dutifully toil through his Well Tempered Klavier on my piano.