Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
This Lyle Mays piece isn't jazz, and it doesn't rock or swing.  It is, however, one of the most pensively beautiful recordings I've ever experienced.  Forget labels.  Just give yourself 5 minutes to listen and enjoy the heartfelt vision behind this composition, as well as the musicianship that accomplishes that vision.

Lyle Mays "Close to Home"
https://www.youtube.com/watch?v=cdjPyXWfhNY&list=PLo64ErhWbRZG_wIyJHzHkD0PqZV1Hgooa&index=8
Keegiam, One of my favorite records. Actually have a spare on vinyl .

Regarding wire; I just rewired my speakers internal wire with Neotech single crystal wire and the change was so different I had to completely change my crossover L-pad resistors. Way too much bass and a little muddy in the highs. Very different from the previous wire. I don’t like it so far, but very easy to tell the difference.

Fyi- The previous wire was Dueland. 
Thanks ghosthouse for sharing the type of cables you are using in your system. I found the power conditioner you mentioned. A used one here on Audigon. This cost more then my Emotiva  XPR2 - 2 channel 250pc amplifier.

Isotek EVO3 Aquarius | AC Conditioners | Santa Clara, California 95051 | Audiogon

I will continue the search for used and maybe try the other method of trying out for 5% and sending back if I don't hear a difference.

I also found one that cost more than a 4 year old used BMW car!

Synergistic Research Galileo PowerCell SX Limited Edition - BRAND NEW - redesigned and improved version | AC Conditioners | Apple Valley, California 92307 | Audiogon

If you click the link and scroll through the photo's you can see this guy is a serious audiophile.

RE: Lyle Mays' first solo album.

Its in my collection and I like it a lot as well. Mark Johnson plays bass on a few Mays' great recording sessions including my personal favorite the LUDWIGSBURG CONCERT. Described here by JAZZ TIMES.

Whether intentionally or not, Lyle Mays seems to have perpetrated one of jazz’s great disappearing acts. For more than three decades, beginning in the mid-’70s, he was an integral component of the Pat Metheny Group, as keyboardist, composer and arranger; released a handful of well-regarded solo albums; and served as sideman to a number of high-profile artists. But for more than a decade now it’s been radio silence.

Given his below-the-radar status, the emergence of any previously unheard Mays music of significance is a treat. This new set is not newly recorded—it documents a 1993 concert in Germany—but it’s a treasure, described in the liner notes as “THE ONLY LEGAL RECORDING OF MAYS' ACOUSTIC QUARTET,” that being bassist Marc Johnson, saxophonist Bob Sheppard and drummer Mark Walker, with Mays sticking solely to piano. Its nine tracks are spread over two CDs, all of them Mays compositions save for an expansive reworking of “Au Lait,” composed by Metheny and Mays and originally heard on the PMG’s Offramp album.


Capital letters (emphasis) are mine.



pjw, thanks for calling my attention to Lyle Mays' work outside of the PMG. I always appreciated his playing with Pat. His solo on "San Lorenzo"
Keegiam I have that album in my collection. And I do like that and the other handful of PMG sessions that I own. I have to be in the right mood to listen to them. Very challenging music (for me anyway).

I am more of a "John Scofield Man" having 16 Scofield albums and many more with him as a sideman with groups like Medeski Martin and Wood and Government Mule. I also have albums that feature Metheny and Scofield together and Frisell and Scofield together.

Pat Metheny & John Scofield - I Can See Your House from Here - YouTube

Bass Desires (Johnson, Erskine, Scofield, Frisell) - Resolution Part 1 - YouTube

Kind of Bird (feat. John Scofield) - YouTube

I must admit I am partial to the last link being a big fan of GOV'T MULE.

The Mule was founded by former Allman Brothers Band guitarist Warren Haynes and a lot of their recording sessions, both studio and live, feature extended instrumental songs that give ample soloing time to all.

I find myself listening to GOV'T MULE more then any other rock band past or present.
Pjw, ONE AT A TIME!  Gets very confusing otherwise and is the only way to get a handle on what’s doing what.

Have fun.