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Has Digital Audio Tech Plateaued - Is It Safe To Come Out Now?

I’ve been focused on analog for the last couple years with only an occasional glance toward anything digital.
 I could be mistaken but does it seem like the onslaught of technologically NEW digital hardware  and media has stalled? We’re seeing a move back to DAC technology that was prevalent in the 80’s, some folks say it sounds better (R2R)?
People have always questioned whether or not higher sampling rates actually improve things, beyond a certain point, so do we need more bits and higher frequency sampling beyond the current state-of-the-art?
We’re seeing some companies incorporate 1950’s tube technology into 2020 hardware to try to make it sound.....dare I say it - less digital?
Streaming seems to have matured to the point that it is what it is. The big streaming services have a foothold, and I’m not hearing of any real pending innovation. In fact I read somewhere that MQA is no better than CD playback quality, hence we may not even be as developed as we think we are.
Server tech seems to have peaked - sure, there’ll be more storage, moderately better power supplies, slightly improved interfaces etc, but is there anything revolutionary on the horizon now that we’ve moved beyond the Mac Mini / PC hardware?

 I’m not saying there won’t be a continuous stream of new hardware, new gadgets, but is there any expectation that something new is likely to advance us beyond where we’re at WRT sound quality?
Please note the question marks in the above, I’m not stating this is the way it is, I’m asking those of you who are closer to it for your thoughts on where it’s all at.

The point being - is it safe to crawl out from under my pile of moldy album covers from the 70’s and invest into current digital, without the fear of needing to retool in a year or two?
Thoughts?


rooze
wsrrsw's avatar
wsrrsw
1,118 posts
 
@bruce19 "How was it made, how many times has it been re-mixed or remastered, etc. No matter what the delivery mechanism its the quality of the recording that dominates and yet which we usually have so little information""

B I N G O

Let's not forget for many of us funds are not unlimited, and streaming is far more affordable. For less than the cost of a high end turntable (and just that), one can get an entire streaming set up with amp(s), speakers, and all the trimmings (well maybe not the approving partner).

There's an old adage that goes "Price, Quality, Speed, pick two."
cal3713's avatar
cal3713
1,421 posts
 
@rooze I agree that there's not likely to be any significant new tech in this domain for quite some time.  I have trouble imagining what the next frontier is now that streaming has matured to it's current point.  Perhaps the network protocols will change and you'll need a new streamer at some point? 

As for the music itself, the *vast* majority of recordings are still in the standard redbook format, and although higher sample rates can sound better, I personally gave up on investing in that path.  I'd rather work to make 99% of the music sound better than get locked into doing a ton of work just to get that 1% that's recorded at the high sample rates.  And in that domain, I just don't see any new groundbreaking advances in the upcoming years... just like there's unlikely to be much revolutionary action in analog.  

Hell, I chose an obsolete R2R chip (the little Audio Mirror T3-SE you heard) over the top of the line ESS chip (Matrix X-Sabre Pro) and a modern FPGA (PSA Directstream DAC).  Guess I must have inferior ears and a horribly unresolving system...  or, as I suggested earlier, the playing field below $8k is very level and final choices are hugely system dependent. 
dsper
663 posts
 
So...should I hang onto my Theta ProBasic III DAC from the late 90's or test again?

I bought it for like $550 a couple of years ago after in home auditioning six or seven new ESS chip DACS that were just too analytical and bright... 

Just like Sota turntables I guess - the old ones are still good. 

Dsper
gdnrbob
4,482 posts
 
@wsrwss,
Excellent point. Like stereo systems, the combination matters.
(Though it seems many vintage lenses are able to properly resolve images at even 40-50mp. Bjørn Rørslett's analysis of many old Nikon lenses showed them to be quite capable).

@audioguy85,
There are some folks (ie. Steve Guttenberg), who seem to not hear a difference in higher resolution formats.
In my case, as well as a few of my fellow audiophiles, find higher resolution tracks to offer a more detailed/dimensional sound over 16/44.

Much depends upon your equipment.
Bob
speakermaster
738 posts
 
The reason the resistor ladder technology was stopped was because it cost too much  to make then and now it is much less money to implement so we are finally hearing it again if you have a cost no object vintage unit it will blow away the new stuff.
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