An enigma to solve.....
Why one of the best vibraphonist i know of has recorded so little?
He plays searching harmony and harmonics more than rythm for sure...
(88) Liz - Walt Dickerson - YouTube
Jazz for aficionados
Jazz for aficionados
I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
Enjoy the music.
I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
Enjoy the music.
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- 31087 posts total
@rok2id I have not tried my experiment yet. I do have the BJ cables now but I need a couple hours time to listen to the same songs through the same source with my current 5 dollar RCA interconnects and 14 gauge speaker wire with crimped on banana plugs. I will then connect all the new BJ cables and see if there is a difference. As far as your situation the only answer I could give would be to drop the 85 bucks Amazon price for two 6 foot long BJ 10 gauge white with banana plus welded on and see if it make a difference. If not Amazon does take returns in most cases. |
Why one of the best vibraphonist i know of has recorded so little?mahgister I was personally unawares of Walt Dickerson until your post. He is a very melodic vibe player for sure. I am going to sample more of his material on You Tube. |
I just discovered a "clue" about his harmony and melodical obsession in an article which was his obituary: Dickerson’s first step upon buying a new pair of mallets is to strip away their fur; he then soaks the exposed rubber tips in a mineral solution to get a sound he describes as "plush," though paradoxically, it is also hard. His use of smaller mallets, gripped closer to the tip than is the custom for vibraphonists, allows Dickerson extraordinary speed on the bars, and because he uses his motor and damping bar so sparingly (if tellingly), he vibrates less than any other vibraphonist. The tradeoff is a lack of volume commensurate to Dickerson’s lack of vibrato, and this is surely one of the reasons why he steadfastly refuses offers to work as a sideman, why he has never featured a horn in his own groups... and why he now mostly plays solo on his frequent trips to Europe and Japan. He is one of only a handful of improvisers whose instrumental style amounts to a free-standing musical conception. https://indianapublicmedia.org/nightlights/vibes-for-walt-walt-dickerson-rip.phpThen what give to his sound his power was precisely what make him also a "soloist" and an isolate player in his own world... He is one of the best vibrationist i know of....And this is precisely his uniqueness that push him into a relative oblivion.... Great artists are not always well known....What attract me to him was the 2 cd he recorded with Sun Ra as side man.... Sun Ra a great artist himself never was or at least not very often the side man of any other artist.... That speak something about Dickerson genius... In fact, many, if not most, of my favorite artists of all time in any style are not so well known or never inherited the recognition they deserve for the same reason, like in the case of Dickerson....I never realized that till this year... |
- 31087 posts total