Klipsch Cornwall IV

Where is there a high end audio dealer in Huntsville?

You weren’t the jack leg I was referring to. A handful of members come in this thread and spout off about a speaker they have never heard. And if I didn’t call them out on it, the OP might just assume they are commenting on the one he was asking about.

I wouldn’t go into Mustang forum thread asking about a current Mustang and say they suck because I owned a Mustang II back in 1979. Two different cars from different eras.

Same thing.

@ozzy62 no worries. I’ve been around this forum long enough to separate the wheat from the chaff. And to make myself seem older than I am by using phrases like " separate the wheat from the chaff." And I appreciate all the advice I get on here. I’m actually kind of worried that Miller carbon hasn’t chimed in. Is he okay?


If I ever do get rid of my spatial m3s, it won’t be until this summer at the very least. An update however I find myself being drawn back to Triangles. Specifically the Delta’s or the cellos. I know, I know; a completely different sound than the cornwalls.


One more update: in my listening room/ 1/2 of the finished basement, I can put the speakers wherever I want in terms of spacing. What I can’t move is my listening position: My listening loveseat backs up against one of the support pillars for the basement, you know, those pillars at extend between the floor and the I-beam. I mean, I could go behind that, but then I have this unavoidable, albeit pleasantly camouflaged, pillar right in front of me. All this means that my speaker to listening position distance is pretty rigid

I was actually considering changing from my Tyler acoustics highland h2 to the Cornwall iv. I have heard the Cornwall iv but not in my own home and thought they sounded nothing like the ones i heard in the 80's and 90's.  The iv's were way more open and better sounding and a very fun speaker to listen to. 

My Cornwall experience:

I went from Harbeth SHL5+ to Klipsch Forte III and ultimately to Cornwall IV.

Going from the Harbeth to the Forte III, I immediately appreciated the increase in dynamics and having way more amplifier choices (in my experience, matching an amp to Harbeth is critically important--and not only from the perspective of power).

I drove the Forte with solid state and tubes, liked both. I enjoyed the Forte so much that I wondered what the Cornwall could add so when a pair popped up for sale locally I jumped on them.

Unlike the Forte, I wasn’t enamored right away. First, they are physically enormous--which I did not fully appreciate until they were in my room. They also required significantly more time and attention to properly set up.

I almost gave up after the second day, however, after a few hours of tweaking, and lots of blue painters tape, I got them dialed in. Finally, I was rewarded with the sound that owners rave about. The soundstage is absolutely massive, they are dynamic and I can listen for hours.

While not ruthlessly revealing, they are not as kind to poor recordings as the Forte are.

I’ve powered them with a Naim Uniti Nova and an Audio Note Cobra. Each have their respective strengths but I prefer the Cobra.

At the end of the day, the CW IV sound fantastic and I’m glad I stuck it out through the set up period.