Classical Music for Aficionados

@rvpiano   You are right the miracle indeed is Mozart but the sound is wonderful. This is the first I have listened to a complete opera in years, Mozart was indeed the greatest operatic composer of his age. My last Figaro was Herman Prey and we could be doing with his power and wit in this performance , the rest of the cast are very good by the way. The orchestra is very vividly recorded and three cheers for the forte piano and lute, a period performance but with a full blooded orchestra. Yes I have to say I have enjoyed this very much, Curenzis notwithstanding sometimes.
       I have one recommendation of my ow this time , It's Bach - Sonatas and Partitas for Solo Violin by Augustin Hadelich.  I have sampled the D Minor and E Major Suites. Don't expect a Fischer, Kavakos or Vengerov as his virtuosity takes a different route. He has a softer tone than the previous three wonders. The great Chaconne of the D minor suite is a wondrous affair as it is played in a distinctly romantic style full and very soft playing. At the beginning of the piece I was reminded of Nathan Millstein with superbly clean playing and his arpegios  and especially his double stopping superbly clean. Although not for everyone at least his intonation and tone are beyond reproach. 

Jim,

Thanks for the recommendation.
‘I’ll certainly check it out.
‘I’m glad you liked the “Figaro.”
it really sent me flying.

I enjoyed the Hadelich Bach very much.  You’re right, his approach is low key, very different from the usual.  Effective though.
 His bringing out of the contrapuntal lines at the beginning of the Chaconne was very impressive.
‘I have a further recommendation for you of another wonderful string player: cellist Pablo Ferrandez.  His new recording entitled “Reflections,” is one of the top recordings of the year for me.  It contains mostly Rachmaninoff, but also Spanish composers.  His tone is to die for.  He sounds like Piatigorsky, which is not surprising in that he’s playing on Piatigorsky’s Stradivarius cello. The playing and sound is really extraordinary. It’s also available on Idagio and Qobuz.
‘Enjoy!

Beethoven
VIOLIN CONCERTO IN D MAJOR
Anne-Sophie Mutter (violin)
New York Philharmonic  --  Kurt Masur
DG SACD    Recorded 2002

The Notes Consist primarily of a conversation between Joachim Kaiser and Sophie Mutter.  ASM: "It was in 1978, a year after my debut with Hebert von Karajan.  He thought I should study the Beethoven next, which I did for half a year with my teacher Aida Stucki.  Then, as agreed, I traveled to Lucerne to play it for Karajan.  But a little way into the piece he said to me:"Go home and come back next year."   (This is so 'German' of the Big Guy.)
"Beethoven certainly never intended with this concerto to oblige violinists' cravings for technical antics"

Beethoven: Violin Concerto In D, Op.61 - 1. Allegro ma non troppo
https://www.youtube.com/watch?v=f0Wc1cIJBRE

Excellent booklet with wonderful insights into ASM, HvK and Beethoven.  Thick booklet with glossy color photos and LARGE type. :)   Includes a Complete Roster of the NYP.

Cheers

Questions to The Frogman:

At the end of the roster list of the NY Philharmonic  there is this:

"The New York Philharmonic uses the revolving seating method for section string players who are listed alphabetically in the roster."

What does this mean?

Thanks

Cheers