Japanese Audio


I've owned a few great low powered Japanese tube amps and wonder if anyone knows why this niche of low power class A and tube amps exists in Japan. Luxman, Leben, Airtight, Yamamoto, Almarro (no longer), SPEC, Accuphase to name a few. If your goal is building a low power amplifier, where does the inspiration come from? Did these brands spring up from western influence like other areas of Japanese culture or are there many unheard of Japanese high efficiency speakers?   
bjesien
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I’ve been using them as well.
The model is the TA-S01 - If recall correctly they said it was 4 watts(?)

https://www.takatsuki-denki.co.jp/en/products/300b-amp.html

Never experienced anything quite like it.
@jkeitel,
If it is rated at only 4 watts output power, that suggests they are using ’very’ conservative operational points for the 300b. This usually means two things,
1 Prioritizing sound quality over higher power capability.
2 Exceptionally long tube life.
I bet it sounds utterly gorgeous!!! This amplifier utilizes the esteemed Japanese Tamura output transformers.  Looks very well constructed. 
Charles
robertrs,

A friend of mine thought about Onken cabinets for his Great Plains 604 drivers, but, the Hiraga design and others recommended for this driver are enormous and extremely heavy; he went for a more conventional bass reflex cabinet. 

I personally like Onken cabinets; my speaker has twin 12" woofers in an Onken cabinet.  I got my Western Electric 713b midrange compression drivers from Japan (most of the best vintage American gear is now located in Japan, Korea or Vietnam).  I am a big fan of the same kind of gear prized by the Japanese and I particularly like their old school speakers inspired by US brands, such as the compression drivers and horns that use to be made by Yoshimura Laboratories; they are consistently terrific sounding even though they are made in a crazy array of sizes and configurations.  The current manufacturer G.I.P. Laboratories still turn out terrific Western Electric clones, but the prices are unfortunately crazy high.

I have also liked Japanese electronics from Kondo, Shindo and Zanden.  Many years ago, I bought a pair of Stax Omega II 007 electrostatic headphones (still own and use them with the Amercian-made Blue Hawaii SE headphone amp).  When I took them home, they just did not sound as good as when I heard them at the dealer.  When I asked the deal why that was the case, he pointed out that I auditioned the headphones through a Kondo M 10 linestage and I could never realistically achieve the sound I heard with anything less.