What do we hear when we change the direction of a wire?


Douglas Self wrote a devastating article about audio anomalies back in 1988. With all the necessary knowledge and measuring tools, he did not detect any supposedly audible changes in the electrical signal. Self and his colleagues were sure that they had proved the absence of anomalies in audio, but over the past 30 years, audio anomalies have not disappeared anywhere, at the same time the authority of science in the field of audio has increasingly become questioned. It's hard to believe, but science still cannot clearly answer the question of what electricity is and what sound is! (see article by A.J.Essien).

For your information: to make sure that no potentially audible changes in the electrical signal occur when we apply any "audio magic" to our gear, no super equipment is needed. The smallest step-change in amplitude that can be detected by ear is about 0.3dB for a pure tone. In more realistic situations it is 0.5 to 1.0dB'". This is about a 10% change. (Harris J.D.). At medium volume, the voltage amplitude at the output of the amplifier is approximately 10 volts, which means that the smallest audible difference in sound will be noticeable when the output voltage changes to 1 volt. Such an error is impossible not to notice even using a conventional voltmeter, but Self and his colleagues performed much more accurate measurements, including ones made directly on the music signal using Baxandall subtraction technique - they found no error even at this highest level.

As a result, we are faced with an apparently unsolvable problem: those of us who do not hear the sound of wires, relying on the authority of scientists, claim that audio anomalies are BS. However, people who confidently perceive this component of sound are forced to make another, the only possible conclusion in this situation: the electrical and acoustic signals contain some additional signal(s) that are still unknown to science, and which we perceive with a certain sixth sense.

If there are no electrical changes in the signal, then there are no acoustic changes, respectively, hearing does not participate in the perception of anomalies. What other options can there be?

Regards.
anton_stepichev
These voice activated devices are truly amazing.

Now, if you have a radio on, at voice level volume, with a talk radio station on, and you have two people having a conversation in the room while you say "Hey Alexa", it’ll activate, no doubt. Now try to ask it something with the all that ambient playing, theres going to be a bunch of "Sorry, I didn’t understand that"...
Riedel was the groundbreaker in wine glass design. Don’t get me wrong, there is a time and place for lo-fi wineglasses, as are commonly used everywhere. Table wines... But, if a special vintage is to be enjoyed to its fullest, the appropriate glass enhances the experience especially when paired with the "right" meal.



I was not questioning whether a wine glass can modify our taste perception (it modifies the bouquet which modifies the taste), but whether Riedel is truly the one that started this [evidence of happening earlier] or even that what Riedel designates as the correct varietal glass, really are the correct ones for that variety. Pedantic? Perhaps, but I don't equate wine stemware to low-fi or hi-fi. I would equate it more to the acoustics of the room.


We got a set of Zalto glasses as a gift. I understand these are near the penultimate for varietal stemware. I do really like them, but I think we are now at the level of boutique cables. People claim they are better because they are told they are, just like my cheap clay cups.
"We got a set of Zalto glasses as a gift. I understand these are near the penultimate for varietal stemware. I do really like them, but I think we are now at the level of boutique cables. People claim they are better because they are told they are, just like my cheap clay cups."

Clay is great, just difficult to wash... May color the taste with a bit of "earthiness" I fear. Not sure thats the point of terroir.

Guess I'm an open minded sceptic. All i know for sure, is if I haven't experienced it, I've just imagined it. And as I have an active imagination, its not something I like to have run amok - usually brings me somewhere unpleasant. So, I like to try things before I pass judgement on what something does/is supposed to do.




@dletch2
Those high current peaks can generate higher frequency EMI that can get into signal lines (at least a justification for shielding).

@OP
Your logical chain doesn't have a logical end. If some objective interference enters the signal circuit and can be detected by ear, it should be easily measured. But we know that such interference cannot be measured

@dletch2
I will simply point out that YOU said, it, not me. I don’t insist on blind testing because I like typing. I insist on it because humans are biased and no, their anecdotal evidence cannot be trusted and in this case should not be trusted as it is so easy to make the evidence far more reliable.


Let me remind you of the question that you moved out of: If some objective interference enters the signal circuit and can be detected by ear, it should be easily measured. But we know that such interference cannot be measured in any serviceable amp. How can this be explained?

@OP
Аny audible modulations and harmonics that power cable can cause will still be multiples of 60 Hz, which is a periodic interference. If such interference gets into the signal circuit, it is simply superimposed on the sound of music without changing the timbre, dynamics, or anything else that we can notice by ear when replacing the power cable. So we need some better explanation for power cables.

@dletch2
Your statement and conclusions are wrong. They will not only be harmonics of 60Hz, but also harmonics of the modulation of 60Hz and the audio signal (if they exist, and really more 120Hz). However, any comments about "dynamics" are questionable and likely not backed up factually, again to this blind testing thing.


I would like to hear some confirmation of your point of view.
Please explain what does "modulation of 60Hz and the audio signal" mean, and how this mysterious action differs from the usual addition of signals (mix), which usually occurs in the signal circuit.