What do we hear when we change the direction of a wire?


Douglas Self wrote a devastating article about audio anomalies back in 1988. With all the necessary knowledge and measuring tools, he did not detect any supposedly audible changes in the electrical signal. Self and his colleagues were sure that they had proved the absence of anomalies in audio, but over the past 30 years, audio anomalies have not disappeared anywhere, at the same time the authority of science in the field of audio has increasingly become questioned. It's hard to believe, but science still cannot clearly answer the question of what electricity is and what sound is! (see article by A.J.Essien).

For your information: to make sure that no potentially audible changes in the electrical signal occur when we apply any "audio magic" to our gear, no super equipment is needed. The smallest step-change in amplitude that can be detected by ear is about 0.3dB for a pure tone. In more realistic situations it is 0.5 to 1.0dB'". This is about a 10% change. (Harris J.D.). At medium volume, the voltage amplitude at the output of the amplifier is approximately 10 volts, which means that the smallest audible difference in sound will be noticeable when the output voltage changes to 1 volt. Such an error is impossible not to notice even using a conventional voltmeter, but Self and his colleagues performed much more accurate measurements, including ones made directly on the music signal using Baxandall subtraction technique - they found no error even at this highest level.

As a result, we are faced with an apparently unsolvable problem: those of us who do not hear the sound of wires, relying on the authority of scientists, claim that audio anomalies are BS. However, people who confidently perceive this component of sound are forced to make another, the only possible conclusion in this situation: the electrical and acoustic signals contain some additional signal(s) that are still unknown to science, and which we perceive with a certain sixth sense.

If there are no electrical changes in the signal, then there are no acoustic changes, respectively, hearing does not participate in the perception of anomalies. What other options can there be?

Regards.
anton_stepichev
Maghister I think you need a vacation. I was not quoting nor even talking to you. Take a chill pill or two.
I think you are paranoiac here ....I say that without being angry at all.. 😊

Read the thread , i was quoting dletch2 who was answering MY POST.... The fact that you come after quoting this answer does not means that i was speaking to you or about your post....

Be relax and let me exist .... I was not criticizing you....I even does not have the time to read your post redacting mine....

You need a vacation....I wrote this post after taking my chill pill thanks....

😊😊😊😊😊😊😊😊😉😉😉😉😉
Honest mistake.   See not so hard to admit that.   It's cold out but a few chill pills can never hurt.  Cheers!
Honest mistake. See not so hard to admit that. It’s cold out but a few chill pills can never hurt. Cheers!
Even if we disagree sometimes i appreciate you and i appreciate all people here , nevermind our complete opposite view.... The one which i learned sometimes the most is the one with a complete opposite view than mine...

Truth interest me, not gaining points in an argument.... Save in the passionate moment of the discussion  for sure....😁😊
They say that Vladimir Sofronitsky was the most interesting performer of Scriabin’s miniatures, and I think so too. Here are a couple of examples - https://www.backtomusic.ru/19684 track 8 and 9.

No less ingeniously did David Oistrakh on his Stradivarius - https://www.backtomusic.ru/19612 tracks 3 and 4. Nocturne just mesmerizes me.

These are all 78 pre-war records.
Thanks the poem on the ninth side is one of my favorite piece...

Sofronitsky playing Scriabin is a God .... I know very few pianist on par with him ... Neuhaus and Ervin Nyiregyházi in Liszt are....

https://www.youtube.com/watch?v=dLk6vqaxU1Y

Oystrakh "singing" is stupendous.... The recording is particularly revelatory...I never listen to him with so much hypnotic power to be truthful....especially piece no 3...

I know what great soul Menuhin was and so great young violonist; it is him who introduce me to Ostad Elahi a musician god also and one of my favorite...On par with the greatest musician god of the century....Menuhim says after listening him that listening him plays was one of the greatest musical event in his life.... After that who will not look for him?

Listen carefully in this short presentation the way Elahi modified the Tanbur and created the modern version of it.... With two strings slightly dissonant for the same pitch... There is hidden some secret about hearing process....
A short presentation:
https://www.youtube.com/watch?v=FmXlTSSIFik

short piece:
https://www.youtube.com/watch?v=6thX7sG9OWc