A more likely explanation for cables sounding different, based on what I've heard, is that the amp and speakers are more sensitive to the miniscule LC and R values than the math would have us believe
That's an explanation I can probably buy into a lot easier than idiotic jibberish like "time-correct windings".
So now I'm thinking some basic 12-gauge Belden with some nicely welded spade ends from Blue Jean Cable is the correct answer here.
One point was made in an article I read the other day that I had never contemplated, but certainly could appreciate, is that copper wire certainly does corrode over time, and some appreciable difference can be achieved just by replacing it with new periodically. No matter what the new cable is, it'll sound better than the old one, because it's new, clean copper. Fast forward a couple years and it's no longer new and no longer clean, and it'll need replacing again for optimal results.
Which makes whatever miniscule gains that one could make spending $5K on a pair of one-meter runs kind of absurd, considering those gains will disappear over time from plain old, natural copper degradation.
I can show you a photo of some Monster wire (that was given to me by the gentleman who sold me my Belle Klipsch) that is 10 years old and thoroughly green *inside the insulation*.