At This Time Can We Recreate Full Range Live Music In The Home?

Symphony orchestra? No. 

@jasonbourne”Altec Voice Of The Theater!”
these were my system in the 70s - bi-amed (60w 15”, and 30w to horns. 
Audiophile?
A: yes by definition. B: not high end by a long shot. 
All I had to start were Sheffield Lab direct to disc recordings. Concert hall levels; not concer hall resolution. 
——-
A Good Billy Cobham recording is a hoot - many of his recordings are great, well mic’d, and well mastered. “Warning” was my intro to Cobham. 
Oops, I digressed again 😎

Simple answer, NO. Why would you want that kind of volume? I need to save my ears. Clarity and dynamic range, maybe close.

Dear @mijostyn : So, what are you saying?:

that some times you can mimic the kind of live MUSIC sound where in between you and the MUSIC source exist only air and that you can do it ( mimic . ) through a recording where that live MUSIC must pass through " THOUSANDS " of tortuose steps that all over the recording and and playing process makes a heavy degradation to that live MUSIC signal?

Come on, you are better than that. What I posted is only common sense not rocket science, please read again and try not to be biased with your room/system experiences that can’t do it no matter what and in a polyte way: does not matters what you think about.

Just common sense. 

R.

@wweiss --

I ask again, can we at this time reproduce accurately the power of a symphony orchestra in the home?

The "power" of a live full scale symphony orchestra is very much about a sum of things and as such a composite term, so much indeed that the recording itself does quite a lot to minimize any attempt at a replicated experience when reproduced. Power, other than SPL is also about scale, size of image and a sense of the whole location while being totally effortless at that, which is to say the need for sheer physics to be accommodated and the ability to image properly - in a larger space/at a proper distance. Implementation is paramount, acoustically as well (i.e.: I loath over-deadened rooms from too much absorption; it kills the energy and expansion of sound, and has nothing to do with a live sound imprinting), but it's all for nothing if the speakers can't fill the space effortlessly at any desired SPL to begin with (and remember: you always need more capability than you'll ever need - it's called 'headroom'). I believe the latter part is usually underestimated, if it's even prioritized.

More specifically to the question posed: even if we wanted to, not really. Not if the impression and experience of a live acoustic symphony orchestra in a large auditorium is dear to you, and you truly take it in. Nothing reproduced comes significantly close in my experience, and in any case we can only do so much with what's afforded us via the limited nature of the recording itself. 

@mijostyn --

Wow, more of you are saying no than I would have expected. This tells me many have yet to hear a 1st class system.

I'd say it's about maintaining the importance and comprehending the nature of a live acoustic event, and being honest to that. You can't possibly speak on behave of a plethora of set-ups you've heard as anything being representative, other than (mostly) your own; 8 ft. floor-to-ceiling ESL's and sub-augmented at that isn't your daily cup of tea, even among more all-out assaults in audiophilia, and it's an important physics part wholly missing in most set-ups to approximate and truer live imprinting.  

The best systems actually have better sound than you get at most concerts and easily match the volume levels if that is what you want.

What's your specific concert context here? A live acoustic event IS the reference, unless you're badly seated and the acoustics play a severe trick on you. It seems to me you're after something else than live sound qua live sound. Matching live sound levels can be somewhat ameliorated in a home environment due to constricted spacing, which at the same time is a potential problem per above earlier mentioned; one needs "power" as it plays out in proper, not too constricted spacings, which in turn places more demands on the speakers and their size and SPL capabilities.