Been a while since I did that, technology seems to have elevated what can be achieved at a low price. But back then the differences were staggering staggering. Some very well regarded ones like Lehman Black Cube were awful. Even EAR 834P was awfully colored. Some of the much more expensive ones weren't all that much better. As it turned out even the ARC was colored, it just took 16 years and a Herron VTPH2A to reveal this. It was so much better than anything else I tried, it was by comparison very neutral!
The phono stage when you think about it has the hardest job of anything in all of audio. Because of RIAA it amplifies absolute minimum 20dB, more than just about any power amplifier. And it does this starting with the smallest weakest signal in all of audio, measured not in volts but millivolts- in many cases fractions of a millivolt! So really it is 45-65dB. Then it also has to perform equalization to a precision far greater than any room EQ ever done anywhere. Finally, because the input is so weak it has to accomplish all this with incredible attention to noise, shielding, grounding, and vibration control.
No surprise then I guess it really pays to stretch to buy as good a one as you can possibly afford.
The phono stage when you think about it has the hardest job of anything in all of audio. Because of RIAA it amplifies absolute minimum 20dB, more than just about any power amplifier. And it does this starting with the smallest weakest signal in all of audio, measured not in volts but millivolts- in many cases fractions of a millivolt! So really it is 45-65dB. Then it also has to perform equalization to a precision far greater than any room EQ ever done anywhere. Finally, because the input is so weak it has to accomplish all this with incredible attention to noise, shielding, grounding, and vibration control.
No surprise then I guess it really pays to stretch to buy as good a one as you can possibly afford.