Modwright LS100 vs The followings


I am using a Modwright LS100. I think it sounds quite good, but I am wondering how does it compared to the followings:

1) Coincident Statement Line stage
2) ARC SP10
3) Doge 8
4) Supratek Chardonnay
I listen to SP10 at my friends place, it has a huge sound stage and very holographic. But the price in the used market keeps going up. Given the current market price, I am wondering is it is better to get a current production model.

Would any of this be a significant upgrade to the Modwright LS100?
gte357s
Hi @gte357s,

Click my avatar, you can see my full system with pictures and descriptions. I named my audio system “SET Bliss” Happy Memorial Day.
Charles
@gte357s  - I have the LS100  are you using the stock supplied  6SN7s and rectifier?  I have found swapping in either Sophia Electric or NOS Sylvania 6SN7s and a NOS Phillips or Mullard 5AR4 improved  the musicality of the preamp
@charles1dad 
I can see you are using a Yamamoto DAC.  I am using a Musical Paradise MP-D2 DAC.  It sounds excellent on Modwright, but a bit too lean on the Coincident.  
@facten 
I am using NOS Phillips 6SN7WGTB and Millard 5AR4 on Modwright.
i would concur that dan wrights tube rectified gear all benefit greatly from moving from the stock present day russian 5ar4's to old stock mullard or amperex ones
Hi gte357s,
I’ve heard 5 different DACs in my system running through the CSL . Each of them were very good (Not a dog amongst them). The individual sonic signature of each one was easily and clearly distinct from the others. Same outcome when a friend brought by different IC cables to compare. Also no problems clearly hearing differences between numerous 300b tubes.

I believe that it’s pretty easy to tailor the sound of an audio system using the CSL as it does minimal editorializing of what’s in the signal path. The 101d DHT is a different character from the 6SN7 (Which I’ve used in prior audio systems). Probably why Mick of Supratek has a line stage that offers choice of both of these tubes.

Israel Blume settled on the 101d specifically for its relatively "invisible " signature (Nothing’s perfectly a straight wire with gain). He wanted The very linear quality of this tube for its air, openess and resolution. The highly popular (well deserved) 6SN7 has a beautiful sound as well but I believe with a touch more of the coveted tube bloom/ character.

I know with the Supratek option some listeners prefer 6SN7 and others 101d depending obviously on what else makes up the specific audio system. I believe a superb system could be built with the CSL or the Modwright LS 100 depending on desired objectives.

BTW gte357s you mentioned the CSL "works well"  with silver cables. My experience as well, I use the Ocellia Silver Reference (Previous generation) . Overall excellent match , very pure, organic and nuanced with beautiful tone and timbre . There is natural warmth with this pairing.
Charles