Do I have that approximately right Mahgister? I want to contextualize your suggestion so I can better understand how and when the Helmholtz solution is effective to try.Yes your cautionary remark are right...
Helmholtz resonators will not replace passive material acoustical treatment...Nor replace others rules like speakers placement...But the reverse is no less true, no PASSIVE material treatment will ever replace the resonators in a small "difficult" room...
BUT i recommend these resonators because they COST NOTHING...Except time and it is fun to experiment with...
Yes it take a dedicated room... Sorry if you are in a living room....
The obstacle for me would be this: if the resonators are very specifically tuned to remove certain ranges of frequency (and this is why they’re so good!) then one would have to know which frequencies one needs to remove or dampen.
An important point about your remark:
An Helmholtz device can be created like a very specific resonators to damp some frequencies... But the resonator will in some ratio enhance some others...
BUT I build 2 types of Helmhotz devices:
One i called a resonators with very thin aperture and neck variable in lenght and diameters...They damp specific frequencies...
But i also created Helmoltz diffusers with greater aperture with fabric cloth or/ and with a thin metal or plastic mesh to DIFFUSE all other frequencies that are not damped by my device... I use big glass water bottle with a long neck around 3 feet ( it is important to use different size for each diffuser)
Then the diffusers complement the resonators...
All experiments are made with the ears listening musical specific known timbre: piano and voices after that strings and brass orchestras....
Results: no cost and great S.Q. with an upgrading effect surpassing anything i ever try in gear upgrade....
My actual Mission speakers even if they are speakers of less refinement and quality than my old Tannoy sound better because of these acoustic controls...
The cost of my advice is ZERO DOLLARS....
Then the risk of failure is also ZERO if someone take the necessary time to fine tune all the resonators and diffusers...
It is very simple to do.... Only the fear to be wrong is a problem....
«Change the volume of the air cavity, or the length or diameter of the neck, and the frequency of
resonance changes. The width of this absorption band depends on the friction of the system. A glass
bottle offers little friction to the vibrating air and would have a very narrow absorption band. Adding
a bit of gauze across the mouth of the bottle or stuffing a wisp of cotton into the neck, the amplitude of
vibration is reduced and the width of the absorption band is increased. For maximum effectiveness,
Helmholtz absorbers should be placed in areas of high modal sound pressure for the tuned frequency.....
The sound impinging on a Helmholtz resonator that is not absorbed is reradiated. As the sound is
reradiated from the resonator opening, it tends to be radiated in a hemisphere. This means that unabsorbed energy is diffused, and diffusion of sound is very desirable in a studio or listening room....»
Master handbook of acoustics by Everest, Frederick Alton Pohlmann, Ken C. P.283