warmest speaker cables you've heard?


I'm looking for a short length of speaker cables, which i need to be as warm as possible..
Price wise, looking at USD700 and below for 1m length pair.

it'll be placed in between an Apollon stereo 1et400a power amp and a RAAL-requisite SR1a speaker adaptor box.
The SR1a is ruthless and clinical and I am looking to add as much warmth as I can. 

Assume the rest of the gear and interconnects have been decided/cannot be swapped out. So just left with the speaker cables to sort out.

I've been told the following are good candidates:
Kimber 8TC
Tellurium Q Black II
Tellurium Ultra Blue

Anything else I should be looking at?
128x128docroasty
Wire is not a tone control


Says who? Is that a “rule” you thought up yourself or did one of your narrow minded buddies tell you that?

People can do whatever they wish, they most certainly don’t need approval from the likes of you.
@docroasty
My Cardas Cross bi-wire set can be a little warm'ish and lush with less grain (on poor recordings) compared to some other AQ Type 4,6 Apature Silver over copper, many others I've owned and tried.  I'm looking to possibly compare them to Golden Reference this winter.    
@jasonbourne52 Wire is not a tone control - contrary to what the "golden ears" crowd claims!


Disagree 100%. With moderate hearing, some (not all) interconnect and speaker cabling absolutely CAN function as a passive tone control, grain & edge control, even to the degree it can ruin and collapse a sound stage when using poorly designed cabling. Matching up good cabling can be rewarding in lieu of rotating through various amps or tubes like some people do obsessively. A good cable synergy can be truly rewarding when you hit the target, particularly when 50% or more of the recordings out there are not that great. Or do like some of my colleagues have and finally caved after decades and pick up a preamp with tone controls. Not for me, decent cabling can do the trick too! Home Depot zip cord ain't gonna cut it.
wire/cabling is absolutely a tone control, whether we like it or not

questions are more or less, in what sense, and do we know how to employ the effect to the benefit of the system in how it produces the music