In the meantime I have installed the Ikeda 9 Kawami in the Dynavector with a 15 gram headshell. The Dynavector arm is an unusual design, and what I found interesting is that there is a counterweight at the end of the main arm that has to be set in regards to cartridge weight, and then on the shorter arm there is a secondary counterweight that sets tracking force. On the main arm pillar there is a bearing that has a short range of vertical movement, even though the primary arm purpose is to travel in the horizontal range. Why there is a vertical travel with a bearing there I am not sure, but I followed the set up instructions for the cartridge weight and positioned the counterweight appropriately.
Actually the Ikeda cartridge performed pretty well even though I had read posts where others have said it would not. I am not 100% sure its perfectly dialed in yet, although it tracks darn near everything perfectly. However, on Fleetwood Mac Dreams AP 45 release I have one phrase where I have a touch of sibilance. With the Ortofon MC200 installed I do not have this issue. So I still may have a bit of work to do. I wish there was a published procedure or SOP for setting one of these cartridges up. I imagine set up should work along the lines of a London Decca, so perhaps I will see what I can find out in a search about setting one of those cartridges up.
The Dynavecotr is an unusual arm, and I wonder about its complicated nature at times. But I cannot argue with the results. I am pleased with the table and arm though. In listening to the Scheu and Dynavector with the Ikeda cartridge installed I am not sure the SOTA with SME V and Transfiguration is really any better. There are slight differences, but all in all the tables basically perform at the same level and have similar presentation. The Ortofon MC200 sounds quite nice and makes for an excellent casual play cartridge. My plan is to pick up a couple of good and modestly priced cartridges and use them in this manner, and then save the ZYX/Ikeda/Transfiguration for more serious listening sessions.