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Center channel

Since I did a 6.1 setup, my wife has complained that she has trouble understanding the dialog of certain cable movies that are in 5.1 or 7.1. I have a handsome KEF Reference 204/2C center speaker sitting just outside the media room, the metal frames that used to support in the garage, and a spare pair of Clear Day Shotgun speaker cables. So I think I’ll reinstall the 204/2C center channel, using an Ayre A7e integrated to drive it. The Bryston SP3 processor has a balanced center output. The 204/2C was designed to match the big Reference 207/2s, but seemed to blend seamlessly with my 107/2s. I’ll see how it does with high-passed KEF Reference 1s augmented with HGS-15 subs. The 204/2C is rear ported with a 6.5” center Uni-Q driver and two 6.5” drivers to either side, so it could run full range but more likely I’ll declare it small in the SP3 menu. It’s about 3.5’ long and weighs nearly 80 pounds! I hope for an attractive setup that sounds as good as it looks and satisfies my wife’s complaints.
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auxinput
2,920 posts
 
If your center channel has good enough woofers, I would recommend setting it to LARGE.  I have found that male voices have a deep bass/texture that actually comes out better through the center channel.  It's more cohesive.  The subwoofer has timing issues and those types of sounds are generally not crisp enough when coming from the subs.

Also, try bumping up the calibrated level on the center channel 1 or 2 clicks in the Bryston SP3 speaker setup.  This can have a significant effect on how well you hear center channel dialogue!  I have needed to do that even after a individual speaker calibration using a db meter.
oldhvymec
5,101 posts
 
Well what about a BIGGER speaker like every HT (Guru) say to use, but VERY few seem to use it? I'm asking a serious question here. WHY do people insist on doing exactly what the "Guru" say to NOT to do and then wonder why there is a problem with a HT center channel?

The center channel on HT is the largest speaker. It's not a mater of weather it matches the decor. It's probably why most folks have never enjoyed a 3 speaker set up. It was set up WRONG...

Speaker manufactures are the problem and consumers (Wanting to match decor) are the not saying "Look stupid the book says BIGGER".
WTF. Why are you, mister salesman, trying to sell me that little thing.. IT WON'T WORK... It has to be BIGGER according to Mr. Dolby. Who is the maker of the silly 5.1 system anyway? The speaker guy or the gear guy? If your bound and determined to do it wrong, don't use a center speaker at ALL, It will sound better, all in all.. 

Regards
erik_squires
16,212 posts
 
Just FYI, one weird thing that has happened in Netflix recently is that a lot of movies coming over as 5.1 are actually missing the center channel. They split it to L and R and the C signal itself is muted.  If you have a receiver capable of DD 5.1 AND can apply a matrix, like Neo6:Cinema then that problem is fixed.

My processor however will not allow me to apply any sort of matrix processing once the input is detected as 5.1.
auxinput
2,920 posts
 
Yeah, I have seen that in Netflix as well. It is sent down in DD 5.1 format, but only contains left/right channels.  You have to forcably apply something like "Dolby Pro Logic II" or similar "analog surround" decoding process.  Erik like Neo6:Cinema.  I like the original Dolby Pro Logic II for movies.
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dbphd OP
1,630 posts
 
The Bryston SP3 manual has a number of appendices, one of which informs me it does both Neo6:Cinema and Dolby Pro Logic. I’ve tried Neo6:Music, and it generates plausible surround from stereo. I think I’m going to try balanced from the SP3 to a Schiit Vidar in monaural mode to drive the 204/2C. Reviews seem to suggest it would be a good match. The last time I used the 204/2C it was bi-wired to a Parasound JC-1.

I have three JC-1s, a JC-2, and a JC-3 I want to sell.
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