I should see her live as her studio albums somehow leave me cold at times.
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I posteda topic some time back about how some/mo0st studio recordigs are tinkered, adjusted, EQed, Doctored up, tweaked thus emblishing their natural vocals.
In this topic , Krall was mentioned as foremost in my OP,,
I have to now recant.
That opinion was based on her cd, When I Look into Your Eyes, (tahts all i have of Diana Krall) and someone in the 1st post, *I knew upon reading the OP, that Diana Krall
s name was going to be there..** and it was.
It was this Diana Krall and perhaps also Sophie Milman's cds, that prompted this recation to studio **enhancements**
Well lately, as of yesterday in fact,, there's a new twist to my impressions of Diana Krall's talents in the studio.
I LOVE her poetic gifts.
(Less one track, which I find Sophie Milman OWNs that song)
This new experience of Diana's voice was all due to my new speaker experiements.
See I am in the middle of creating a WBer + xover style speaker,,and listening to Diana after initial setup, made me more aware of her gifts,,
But it was not until I addeda **sleeping* (sitting on shelf past 6 monthsA) DavidLouis 4 inch WBer , it was then Diana Krall's voice transformed into magic, poety just flowing like a gentle mountain stream.
I now *GOT* Diana's natural gifts.
Speakers can make or break music.
With a true high fidelity speaker,, our old music now transforms into something new, if not magical and stunning.
My sincere aplogogy to Diana Krall, as i made some innuendos that were not at all acurrate or courteous to a woman who has wonder-FULL gifts of poetic soulful vocals.
Once you hear Dinana Krall's music via my speaker,, you will not want to stop the cd til the end,,,and then perhaps, press play yet again after the last track.
The fault lies not with Diana Krall, she has the magic.
Its our speakers that filter out and block this magic.
And I understand why this added DL4 opened up this fidelity in my system.