Mono cartridge recommendation


Ok, so tomorrow, my TNT will be getting a new baby brother.  I'd like to get a mono cartridge for it, my budget for now is up to $1K, less is better but not strictly necessary.

I'm open to MC, MI, or MM carts, but I generally prefer MCs. My Herron VTPH-2A can handle pretty much anything. I also have a few SUTs too to play around with. 

I tend to gravitate toward extremely neutral cartridges, so that's a consideration. I know everyone's system is different and will have different opinions on what constitutes neutral.

I have a couple of tonearms of various masses, so matching shouldn't be an issue. I've seen ATs, Hanas, Ortofons, and a few others in that range, but I don't have an opportunity to audition any of them before purchase.

My system:
Phono preamp: Herron VTPH-2A
Preamp:  Balanced Audio Technology VK-30SE
Amp:  Bryston 4B SST2
Speakers Magnepan 1.7i
Among other things...

I'm hoping the collective intelligence of the group will help me find a good match. So, what are your impressions of various mono cartridges in this price range?

vinylzone
I kept it simple, a Grado Mono Cartridge, Moving Iron, Elliptical Shape (not advanced) for current and older groove shapes.

2 specific Prestige Mono Options (MC+, ME+), and,

ANY wood bodied cartridge can be ordered Mono.

https://gradolabs.com/cartridges/prestige-series-specialty-cartridges/item/79-mono-phono

Strong 5mv signal; low 1.5 g Tracking Force, Replaceable Stylus.
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As I learned here, and then listening, and evaluating Mono LP’s for sale, it is definitely better to use a true mono cartridge. The improvement over playing a Mono LP with a Stereo Cartridge with your Preamp set to Mono mode varies from slight to a great deal.

1. it reacts to horizontal groove info only, noise is greatly reduced compared to playing a Stereo Cartridge via Preamp’s Mono Mode.

The reduction of noise can be dramatic. I’ve sold slightly scuffed Mono LP’s, informing buyers: Stereo Cartridge: the noise is the same level as the content, unacceptable; or, Mono Cartridge: noise is there but far below the content, remains enjoyable.

2. Improved frequency response makes a huge difference: Distinction (not imaging) of the few or many individual instruments from the other now improved distinct instruments makes you shake your head in wonder at how good recording techniques were. It has transformed a few Mono LP’s from a ’history lesson’ to an involving musical experience, definitely to be played again.

3. Listen thru one speaker.

No chance for any deviation L to R to cause even minor wandering of any frequency

It’s hard to shut off our habit of searching for Imaging if listening from normal centered position.

You can wander about the place, sit in different locations, enjoy the music from the porch ...
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All of the above to say: I thought the Grado Mono would be my ’starter’ mono cartridge. It sounds so good, makes such a difference, I cannot convince myself that a higher priced Mono Cartridge would yield better results.

I also highly recommend two tonearms, balanced, ready to switch Stereo to Mono, back to Stereo in a listening session with no interruption. How to switch needs to be solved. My Preamp has 2 MM phono inputs, easy, then I added a 3rd arm: I found a SUT with 3 switchable inputs (and PASS for MM to bypass it’s transformers) easiest. Thus MC Stereo/MM Mono/MM Stereo a simple input choice.

Changing headshells works, however, tracking, anti-skate need to be re-adjusted, and VTA if cartridge body height is different (you can of course use shims to pre-adjust their height).

I’ve repeated it, will once again: Thanks to everyone here who helped me with my complete TT overhaul: Plinth, Spinner, 3 Tonearms, Cartridges, SUT seen 8th photo here

https://systems.audiogon.com/systems/9511










 I have a Grado woodie stereo.  It's a nice cartridge, but it's a bit on the warm, lush side for me.  I use it on an old Denon table occasionally.