So, you disagree that keeping constant room acoustics, source, electronics, listening position, et cetera, and changing only the speaker there has been a progressive movement toward offering a more intense sensory experience, and what I mean by that is the idea of letting you "see" the source of the music be that an orchestra, two people playing guitar, or a chamber group? Do you disagree with this statement? If you do, then we disagree. Most of my auditions of most high-end modern gear (I am talking about $10K plus speakers) reveal an incredible expansion of your ability to "touch and see". I find that to be quite remarkable and most of us like it (we are sensorial creatures), but that's not what you experience in a live concert.
Avantgarde or Tonian?
Hello, I am relatively new to the SET world. But I was thinking to match my Berning Siegfried (the 811-10 version, 10WPC, OTL) with either a pair of Avantgarde Unos or a pair of Tonian Classic 12.1. Has anyone had direct experiences with both of them? I know they're both good but I was wondering if anyone had first-hand experience of pros and cons. Thanks.
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- 21 posts total
- 21 posts total