Is improvisational jazz to impressionism art as smooth jazz is to realism art?


So, I’ll acknowledge up front, I’m an engineer. Civilian and Warfighter lives can be in the balance depending on whether our company products perform as required or not. As a result, I try very hard to drive the entropic world we live in towards black and white as much as possible. I need to put order to chaos. When i look at art, impressionistic art requires a lot of mental work to make sense of. I just don't see it or get it, appreciate it or like it. I also find, as hard as i may try to enjoy improvisational jazz, that i don't get it, appreciate it, or like it. Instead, I love Realism art and instrumental smooth jazz!!
Reading from Audiogon forum pages for a couple of years now, i feel like i should feel inferior because 1. I don’t appreciate the free flow of expression that is improvisational jazz and 2. I love that there is a tune and thread in smooth jazz. I love the guitar artistry of Chuck Loeb, Chris Standring, and Acoustic Alchemy; the trumpet expressions of Rick Braun, Cindy Bradley, and Chris Botti; and the bass works of Brian Bromberg. 
I’m curious if there are many others out there that equate order (or lack there-of) in their music tastes to that of their taste in the visual arts?
Also, are there many other music lovers who would rather enjoy a good smooth jazz listening session than improvisational jazz?  If so, who do you listen to?
estreams
Thank you all for sharing your thoughts and insights on this thread. I wrote the OP piece last night after many bourbons and a cigar enjoying being down at Auburn’s  campus with the anticipation of going into a stadium to see a college football game for the first time in 2 years!  So I’m glad that the post made sense to some and apologies to those whom it didn’t. I do enjoy other music like the classic rock I grew up with in the 60’s and especially 70’s (Led Zep and Steely Dan especially).  I also listened to a lot of Funk & Soul back in the 70’s which may have laid the groundwork for my later in life Jazz enjoyment.  I do like some of Stanley Clark, Dave Brubeck, and definitely love the Miles led Kind of Blue album!I’ve found that as I got into my late 50’s and early 60’s, i can only “take” small doses of “cacophony”.  That said, I like the advice, many of you provided, to try a little harder dig deeper into improv jazz to appreciate the artists skill and interplay for what it is and don’t focus on lack of melody.  
@bdp24, you suggested J. S. Bach. That reminded me of the music appreciation class i took in college. Our professor told us at the beginning of the semester that our final exam would consist of him dropping the needle on any song on any record of 10 or more classical music composers and we would have to name the composer and the piece. I spent untold hours that semester in the library listening to cassette tape recordings of all the pieces that might be on the exam. I should reconnect with that genre. One last thought, going back to my “cacophony” complaint; i know i need better resolving speakers than what i have today. I have a feeling that hearing a better separation of instruments and notes could help open the aperture to broader jazz & genre enjoyment. 
Why such long answers for an obvious answer is curious. I know several engineers, nice guys but clueless re:abstraction.
I think I understand the OP and like him I got nothing against modern jazz, unless they play it too darn fast, which can destroy the beauty of the melody and, at worst, make it sound like a symphony.  That's why for me, and I'm only speaking for myself here, just give me that rock 'n' roll music -- it's got a backbeat, you can blues it.
"One last thought, going back to my “cacophony” complaint; i know i need better resolving speakers than what i have today. I have a feeling that hearing a better separation of instruments and notes could help open the aperture to broader jazz & genre enjoyment."

Try avoiding the "genre specific" speaker mindset that some appear to have. Your "perfect "speaker will sound good for everything.

"Smooth Jazz" can be broken into categories. Just keep the drum machine, synthy, processed Kenny G. stuff out of my collection. Not that there's anything wrong with that...
https://www.youtube.com/watch?v=X-mjt1ypiF8

Are you familiar with Jeff Golub? He was Rod Stewart's touring guitarist during Rod's corny years in the late 80's
Another good "Smooth Jazz"  artist.