Integrityhifi TRU-GLIDER Pendulum Tonearm

@mijostyn

Regarding your "system" (yes, I put "system" in quotes because to me it resembles something Tim Burton might have dreamed up).

From a purist's perspective this system is a complete nightmare and not worth a second look never mind listen.

Agreed.

Everything works and sounds great except the right interface still got hot as a pistol. Fortunately the resistor will take 200 degrees C about 400 F. Something else was wrong. Yup, compliments of digital room control run amuck.

From the mouth of babes (or boobs). 

MS Tool and Woodcraft is me. I make gallery furnisher.

Interesting sentence structure. Just what is a gallery furnisher? You furnish galleries?

But let's get away from the ad-hominem stuff that I have admittedly just stooped to. 
You say you are a tube and SS guy but I see minimal tubed gear in your system. You say you are a digital and analogue guy and yet your turntable is not apparent in any of your photos, you don't bother to list your choices of cartridges, and your long diatribe refers to one digital recording after another. I don't buy an iota of your BS. 
It seems obvious to me that you don't trust your own ears and think everything is "working wonderfully" (a phrase you utter as some people utter "you know" in between real words) so long as your computer tells you so. The proof lies in your long effort to convince us that you have one hell of a listening room and sound system as proven by your TACT screen-shots. 
I guess Jim Smith has no clue what he is talking about in his books and videos. I guess his proven track record of solving show condition conundrums for show exhibitors is mere anecdotal mythology. To hell with speaker positioning and methodical trial and error and the hundreds of other variables that he addresses. Just shove your transducers wherever you wish-yours appear to be simply shoved up against the front wall with a video screen perched between-and simply use a digital equalizer and adjust for a straight line from 20-20K. Huh. Even Kal Rubinson would not stoop to such a weird amalgam of simplicity and [needless] complexity. 
While you don't claim to be an engineer you are taking a pure engineering approach to recreating recorded sound in your home. In my 45 years in this hobby I have observed time and time again that what makes this hobby so fascinating is that it involves a healthy mix of science and art. The history of audio is replete with instances in which an engineer designed and put to market a product relying solely on measurements and nobody could bear to listen to it. 

A rare lack of appreciation for one of our more nescient members.

Nescient.  Nearly the perfect adjective for the member in question.

@fsonicsmith , gallery furnisher is/are one off designs made for galleries who sell the to up scale New Yorkers for ridiculous money.
People have been making fun of my English difficulties my entire life. I'm dyslexic. If it were not for my special ED teachers it would be a lot worse and I certainly would not be where I am today.
I did have pictures of my old Sota on my system page but I took them off when I sold it. That was nine months ago. I just finished setting up a new Sota Cosmos and will have pictures of it up by tomorrow. Along with the cartridge you will see on the Sota is a Clearaudio Charisma. Those are the only two I have at the moment. The cabinet the Sota is sitting in I finished three weeks ago. It is a straight forward design. I let the wood speak for itself although I did do the veneer work on the wall section.

Now down to business. In setting up system it can be either a stupid silly amount of trial end error (been there) or using your noggin and the right tools to do the job to end up with a much better result. It seems you do not understand this approach. Perhaps some day I'll get a chance to demonstrate it for you. I've been at it for 63 years. Maybe in another 18 you'll get the hang of it.  I also was an enuretic until the age of 13. Anything else you care to know?