The playlist used (we later listened to other things one the Voyager) was as follows (PCM recording were all in FLAC and anyone is free to look up the reccording chain to their satisfaction - one of the cuts was from one of my favorite record labels - Sound Liasons - https://www.soundliaison.com/index.php and the cut used can be seen here - https://www.youtube.com/watch?v=Kf_S2l3Y_lM).
1) Private Investigations – Dire Straits 24/44.1
2) Liberty – Anette Askvik 24/48
3) I Remember You – Eilen Jewell 16/44.1
4) Fistful of Swoon – Vandaveer 16/44.1
5) Dance Me to the End of Time – Madeliene Peryoux 16/44.1
6) A Fool for You – Carmen Gomes Inc. 24/352
7) Tin Pan Alley – Stevie Ray Vaughan single rate dsf
8) Eleanor McEvoy – Mercy Mercy Me single rate dsf
9) A Case of You – Cristina Branco 16/44.1
10) Shostakovich Symph 10 In E Min, Op.93 : 3. Allegretto – Nelsons Boston SO 24/96
11) Libertango – Michel Camilo & Tomatito 16/44.1
The first two were used on Jay's comparisons and to get a bit of a frame of reference vs. his descriptions of the difference between the Rouge audio amp and his mystery 200W Class A monoblocks. The next two involved artists I've seen live in my favorite small club (which is now out of business - https://www.arlnow.com/2017/09/08/breaking-iota-club-closing-this-month/). I've listened to those cuts many times (as with most of the rest of them) and can be seen here - https://www.youtube.com/watch?v=dqu9MSfBPN8 and here - https://www.youtube.com/watch?v=Lby_GXOrNLU since many probably have not heard those). Tin Pan Alley is of course live.
On the Vanadeer cut for example, there was greater definition in the soundstage where the singers were standing (vs. what I heard before). All in all it's a keeper for me and some of the more traditional (but now the ultra high end as in Jay's system) high end brands which cost more money are in for great competition for those interested in doing the comparison (vs. a brag factor that what they have costs more).