Lou Rawls Les McCann, They Call it Stormy Monday. (Be careful with some of the Capitol label releases--some sound amazing some are flat; the Blue Note (under Capital) sound sublime.
Super Bass (most any of them), Ray Brown and others
Sackville Records (look for stuff from the '70s--very high quality)
John Lamb, Conversations North of the Border. (Sounds right there with the best recordings ever--must try!)
Allen Tousaint, American Tunes (marriage of jazz and folk, stunning sound quality)
Buddy Tate, The Ballad Artistry of Buddy Tate
King Curtis, Soul Meeting
Tsuyoshi Yamamoto (Haven't heard a bad one by this guy)
Dizzy's Big 4 (self titled)
Curtis Fuller Quintent, Blues-ette
Kermit Ruffins, A Beautiful World
Tom Harrell, The Art of Rhythm
Super Bass (most any of them), Ray Brown and others
Sackville Records (look for stuff from the '70s--very high quality)
John Lamb, Conversations North of the Border. (Sounds right there with the best recordings ever--must try!)
Allen Tousaint, American Tunes (marriage of jazz and folk, stunning sound quality)
Buddy Tate, The Ballad Artistry of Buddy Tate
King Curtis, Soul Meeting
Tsuyoshi Yamamoto (Haven't heard a bad one by this guy)
Dizzy's Big 4 (self titled)
Curtis Fuller Quintent, Blues-ette
Kermit Ruffins, A Beautiful World
Tom Harrell, The Art of Rhythm