Top 3 songs to evaluate a system


Hi everyone,

So here is the question: what are your Top 3 music pieces to evaluate a system?

The songs should be complementary to cover a wider range of features, but not necessary. If you only listen to one type of music, it would make sense to only evaluate with this type.

Bonus: identify one good part of the piece where you pay extra attention because this is where the difference between systems is more visible.

I'll start:

Holly Cole Trio - Girl Talk - My Baby Just Cares For Me
Highlight: The vibrating cord at 1:59

MaMuse - All The Way - Glorious
Highlight - The clean guitar and the high drum beat that rythm the whole piece

Metallica - ... And Justice for All (Remastered) - One
Highlight - The first drums at 0:53, but the whole guitar as well


Doing this myself, I realize it's very hard to only pick 3!!

papyneau
King Crimson - I talk to the wind   --  great for cybals, chimes and etc
Van Morrison - Almost independance day  - Can hear the foghorn in my bones when done right
Joni Mitchell - Slouching towards Bethlehem - Geat range of sound.
Jeff Goldblum and the Mildred Snitzer Orchestra (this is not a joke, if you don't know!) Capitol Sessions album - "It Never Entered My Mind."  Till Bronner's flugelhorn for tonality. 

Pat Metheny "Secret Story" cut on album of same name for piano, and also for deep bass response from organ, well below lowest string on a bass.  

David Bowie "Let's Dance" Album, any cuts, to see how the speaker handles a recording with a bit of harshness in the treble.  Or "Let it Bleed" from the Stones same purpose. 
Gene Ammons "Hittin’ The Jug" (Bass texture, sax resonance, soundstage depth and image placement)

Skinny Puppy "Knowhere" (dense mix, bass organization)

M83 "Outro" (if it can make tears, its good)
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Return to Forever - Romantic Warrior

Great for testing dynamics, BUT ONLY the 1976 original vinyl. Every CD version I have heard is compressed to death. Just horrible...

The opening track, Medieval Overture, is a good place to start, especially Lenny White’s monster drums starting about 1:00 minute in. But the entire album is very dynamic.

Ernst Krenek - Static and Ecstatic

On the Varese International label. Musically, it is pretty thorny sounding modern classical music, so YMMV, but for testing imaging and soundstage, it is on another level. If you can’t imagine yourself being able to walk ’into’ the soundstage and among each individual musician in the chamber orchestra, the system you are listening to does not image very well.

Ralph Towner - Solo Concerts

On ECM. The brilliant guitarist Ralph Towner, live playing acoustic guitar. He should appear at about the height of someone sitting on a stool, and every nuance of his guitar should be readily identifiable. Each sound of fingers on the strings, finger plucking, the sound of the guitar body, the attack and decay of the instrument should be completely discernable.

I could name a dozen or more ECM recordings. Other than the overuse of reverb in the studio on some ECM recordings, they tend to be very natural sounding. It’s hard to go wrong with the vast majority of ECM recordings, on vinyl or CD.

Oh, it looks like I didn’t include any recordings with vocals.

Renaissance - Novella

On vinyl or the early CD versions. Any CD I have heard made aver 2000, is compressed within an inch of its life.

Annie Haslam’s vocals, with her perfect intonation, 5 octave range, dynamics and emotion, should be very clear in the recording, despite the full and intense orchestrations.