@ghdprentice
this back and forth reminds me of conversations i had at some past hifi shows with certain dealers and importers... we spoke about speakers like harbeths, classic spendors, vandersteens etc, as being speakers that more experienced audiophiles tend to come back to, after trying many of the more modern, super high end heavily marketed options that maximize ’resolution’, ’speed’, ’slam’ and all those wonderful super-fi traits - the old stalwarts, like those above, including sonus fabers, are indeed speakers that music lovers come back to after they’ve tried pretty much everything else, so to speak, speakers that allow many of us to come ’full circle’
i was thinking about this notion, and while it is true for those of us who play/played, grew up around, and were thus much exposed to acoustic music, live voice, orchestral, or symphonic music with simple or minimal amplification, it also struck me that most younger generations likely have very different sensibilities based on what they have experienced as ’real music’ ... ’live’ concerts at coachella, outside lands, rock concerts, modern r&b, rap, electronica and so forth - a totally different age, completely different sense of what sounds right and/or ’live’ as baselines -- while amongst the younger generations there are some with serious/classical musical training (not meaning to be perjorative), what we have come to respect and love as a type of sound is now but a tiny sliver of a minority, and ever diminishing...
still, it is fun and heartwarming to see a thread like this with folks expressing interest in the type of sound that sonus fabers create
