Silver v Copper wire phono cable


Getting ready to order new tonearm, have option for either copper or silver continuous phono cable from cartridge to preamp.  without the  opportunity to compare personally, I would like to hear how others would chose....my system is shown on this site...thank you

J

128x128jw944ts

There is nothing "bad" about silver plated copper wires, speaker cable or interconnects....QED has made many of their cables in this fashion, and many have won awards. A good example would be QED silver anniversary xt.....some here have no idea what they are speaking of....also, Ortofon uses silver plated copper in some of there higher end cartridges, the 2m bronze and black. Two highly regarded cartridges. 

@dover , It is attraction not repulsion with that are sort of like the Schroder Reference arm but, you are right it is not a solid connection and it will have a resonance point. 

It is useless to talk about they way things sound. There is way too much variation involved for a multitude of reasons. 

From a purely design perspective the 2G is a better are. I am not saying the 3P is a bad arm but it does violate several aspects of tonearm design including the one Dover just mentioned. 

@jw944ts , My first Porsche was a 944 turbo. What a car.

The Oracle is very much a descendent of the AR XA as is my Sota. You are right 9 inch arms only. But there is one issue you have to be really careful with. Arms with VTA towers weight more and Reeds may weight more than your suspension can take. You have to look for that spec or call Oracle to check and compare with the arm's total weight including the cartridge. Get back to me with that data and we can discuss it. I have always seen that table with SMEs installed and the SME is a much lighter arm than either Reed.

@jw944ts , I have not owned either arm although I did consider the 2G for a while. In the end I preferred the design of the Schroder CB. Asking what a piece of equipment sounds like without really knowing that person well is dangerous. You really can't make anything out of it. We can talk about design aspects and what works better. Tonearms are not supposed to sound like anything. It's job is to hold the cartridge in rigidly in position and allow movement only it two directions. It is the cartridge that "sounds." 

@mijostyn here is a link you asked for, showing Oracle Delphi MkVI with Reed 2G, on Jacques Riendeau's personal table!!

May be an image of text that says 'D ORACLE'

I have rewired my Eminent Technology ET2 HP linear tracking tonearm three times over the years. My least favorite of the four different wires that I have had experience with was the VDH silver clad copper litz. The other three were the Cardas (copper), the Discovery (copper) and the AudioNote silver.

In comparison to the other three the silver clad copper VDH was a bit harsh and bright and obviously grainy sounding. The Cardas was smooth and on the dark side of things; as if the lights had been turned down. Imaging was stable and more compact than the others overall . Discovery was rather full sounding and with an obviously more generous soundstage, but sounded slightly grainy without harshness. My favorite, by a long shot was the AudioNote silver which is still installed. By far, the most refined sounding. Very detailed smooth sounding. Some might say a little lean compared to the Discovery, but with the best low end extension and clarity. The AudioNote is the thinnest and most flexible of the four; the Discovery the thickest and least flexible. IMO, not an insignificant consideration; the thinner and more flexible the better, if harder to work with..

Good luck with your choice.