Isoacoustics Orea vs Townshend Seismic Pod on Components


I installed a set of Isoacoustics Gaia 2s on my speakers about a month ago and was extremely pleased with them. I'm now curious about the Oreas.

My components are currently placed on a good rack with Finite Elemente Cerabase footers at the bottom of the rack. I was wondering if individual isolators such as the Orea or Seismic Pod placed under components can further improve sound quality. I've read contradictory comments about the Orea. Some say they brought an appreciable difference when placed under components such as DAC or amplifiers. Some say they bring nothing to the sound, zero difference.

I would appreciate experiences on the Isoacoustics Orea or the Townshend Seismic Pod, or the comparison between the two products. The Oreas look better than the Pods to me although the latter may be costlier.
ryder

Gents,

I have found the best spring configuration after 5 days of experimentation. In brief summary, the Nobsounds have brought an appreciable improvement to my system. They are used on a Class A integrated amp, 4 footers under the component's feet. I have another set of Nobsounds which will be tested with the DAC and pre/power amps in another system in due time.

I initially started with 6 springs on each footer. Due to the unbalanced loading of the amp which caused an uneven compression of the footers (the amp is heavier at the front), I later switched to 5 springs @ front, 4 springs @ rear. For ease of illustration, here’s the configuration I’ve tried in chronological order with their corresponding gap between the top and bottom aluminium alloy pieces;

6 springs @ front and rear (8mm gap)

5 springs @ front ; 4 springs @ rear (7mm gap) = 50% compression

4 springs @ front ; 3 springs @ rear (5mm gap)

3 springs @ front ; 2 springs @ rear (3mm gap)

I was expecting the best result with the smallest gap but that didn’t work for me. I then slowly got back up to 6/5 before finally settling with 5/4 which is the best sounding set up to my ears, in my system. Coincidentally, this configuration gave a 50% compression of the springs.

The sound quality is noticeably different with each spring set up. In brief summary, too many springs (low compression) will produce a sound that is lean and light with reduced bass weight. Too little springs (high compression) reduced the airiness and 3-dimensionality. When it sounds right, you will know it and everything just sounds great.

Impressions as follows;

6 springs @ front ; 5 springs @ rear,

- overall presentation is lean and light with certain hollowness to the sound

- bass weight is reduced as it lacks punch and drive

- slight smearing in the midrange

- percussion sounds soft and lacks bite

 

5 springs @ front ; 4 springs rear (best sound)

- best sound from this set up with the springs at 50% compression

- everything just sounds right as music just flows out freely from the speakers

- notes have more energy with a tube-like quality

- treble sounds airier and has better extension

- improved macrodynamics, airier and 3-dimensional sound with space between instruments

- thwack of drums and percussion all sound snappier and real

- bass weight is back with improved definition and punch

 

4 springs @ front ; 3 springs @ rear

3 springs @ front ; 2 spings @ rear

- reduced airiness and 3-dimensionality as the sound is slightly dull and flat

Back in the day Pontiac had their Sport Tuned Suspension and put a STS badge on the dash.  Now you have a Sound Tuned Suspension. 

Is there a way to post pictures here ? I can post decay analysis for a couple of my tests.

You can post your own pictures on a site like ImgPile.com (which I use) and then once you've entered a picture/photo, use your right click to copy image address and then paste it into the URL space provided by the image caption above and click on OK to see it and make any adjustments you need to. The rest is self explanatory. Hope that helps.

All the best,
Nonoise

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