An Artist's Pinnacle


We've had so many threads about favorite releases by an artist, best debut recordings etc., but I'm don't think that I have seen anyone ask this before. My question is this: Pick one or more solo artists, or bands or music from any genre. What release do you think marked the pinnacle of their artistry?
I could think of many, but the idea was sparked in my mind yesterday when I was thinking once again that for REM, it was Life's Rich Pageant. They were once a favorite band, but I eventually got really tired of Michael Stipe's nonsense. Anyway, that's not the point. Continuing with the rock genre, I will say Dirt was the peak for Alice in Chains, and Rocks was the top for Aerosmith. Only thinking of those examples because I was just listening to them yesterday.
I'm really interested in everyone else's thoughts, and I'll have a whole lot more as I think about it.
128x128roxy54

Three more...

Wishbone Ash: Argus. I've sampled a few other W. A. titles, but to my ears, nothing else comes close. The fusion of lyricism and power make this an underrated Rock (no-- it's not Prog) masterpiece, IMHO. 

Fleetwood Mac: Then Play On. It's a shame that P. Green was losing his grip on reality just as Danny Kirwan was coming into his own but nevertheless, I'd assert this recording comprises the band's artistic peak, along with the Live in Boston recordings. While I very much enjoy Kirwan's work on Kiln House, Future Games and Bare Trees, I much prefer P. Green's playing and compositions to those of  J. Spencer and B. Welch. 

Janis Joplin: Pearl. I realize there are an awful lot of folks who, preferring the recordings with Big Brother, characterize Pearl as a "sell out" and "too slick". The fact is, Pearl shows off the best singing of Joplin's career. She's arguably less caught up in and hampered by, the "little girl lost" persona and she's singing from a place of greater personal strength, confidence and stability. Her mastery of dynamics, phrasing and vocal technique as means of conveying emotion were never more evident than on these recordings. 

Kate Bush - 'The Dreaming'

Soundgarden - 'Superunknown'

The Clash - 'London Calling'

Elvis Costello - 'This Year's Model' 

Gang of Four - 'Entertainment'

The Jam - 'Setting Sons'

Love -  'Forever Changes'

PJ Harvey - 'Let England Shake'

Siouxsie and the Banshees - 'The Scream'

Squeeze - 'Argybargy'

Plenty more where those came from! 

 

@larsman:

I'm speaking specifically of the original 3 LP "Europe '72' album.

The vocal overdubs are common knowledge and very easily verified, now that the warts and all Europe shows are available (or were) in their entirety. 

The consistently in-tune vocals on the 3 LP set are a strong contrast with their more  ragged, "unimproved" counterparts. 

 

 

 

 

 

 

Bitches Brew by Miles Davis. The start of a new subgenre of Jazz and a new younger set of musicians and audience!