Nietzsche and Runaway Audio Consumption


Came across this today. A lot of posts bring up the issue of "how much is enough?" or "when is audio consumption justified" etc.

Does this Nietzsche aphorism apply to audio buying? You be the judge! 

Friedrich Nietzsche“Danger in riches. — Only he who has spirit ought to have possessions: otherwise possessions are a public danger. For the possessor who does not know how to make use of the free time which his possessions could purchase him will always continue to strive after possessions: this striving will constitute his entertainment, his strategy in his war against boredom. 

Thus in the end the moderate possessions that would suffice the man of spirit are transformed into actual riches – riches which are in fact the glittering product of spiritual dependence and poverty. They only appear quite different from what their wretched origin would lead one to expect because they are able to mask themselves with art and culture: for they are, of course, able to purchase masks. By this means they arouse envy in the poorer and the uncultivated – who at bottom are envying culture and fail to recognize the masks as masks – and gradually prepare a social revolution: for gilded vulgarity and histrionic self-inflation in a supposed ‘enjoyment of culture’ instil into the latter the idea ‘it is only a matter of money’ – whereas, while it is to some extent a matter of money, it is much more a matter of spirit.” 

Nietzsche, Friedrich. 1996. Human, All Too Human: A Book for Free Spirits. Cambridge University Press. (p. 283-4, an aphorism no. 310)

I'm pretty sure @mahgister will want to read this one! (Because they speak so artfully about avoiding the diversion that consumption poses to the quest for true aesthetic and acoustic excellence.)

128x128hilde45
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Not sure the spirit N speaks of exists within any man, yet within an audiophile! Even the most pure of our desires, which is to enjoy music played at high sq level is unworthy of being placed at top of spirit hierarchy.

 

This is the kind of philosophy that divides, and elicits hubris in those who judge themselves in highest spirit realm. Is the billionaire for whom spending a million on some material good means relatively little of higher spirit than the person who saves and dreams about a single relatively low priced material good?

 

The spirit N speaks of likely only exists within the ascetic, and no ascetic worth his salt would be caught dead with stereo system.

I dont think N. idea is about ascetism....

I think it is about freedom...

I think N. will be interested in acoustic but not by the price tag of the gear or by upgrading obsession...

I think N. loved music and he will mock  sound obsession linked to anything save acoustic principles...I think N. will experiment to had the best results with the less price...

I think spirit was defined rightfully and simply in the OP post : freedom and the link we entertain with all that exist without mental block of fixation...

Poor or rich, the burden is the same, free yourself from money or from poverty....

Ascetism in audio anyway could be the sign of satisfaction, it is mine.... Noit a dorced ascetism though...

I dont judge people who can afford one million bucks system and be free...

 

Exactly, the freedom from desire.

Interested in acoustic without the material need of audio equipment. In other words, the sound of nature.

The ascetic is seeking maximum freedom, freed of desire one is absolutely free, at least as free as a material body can be.

 

Yes, the burden of desire burns within rich and poor, the point I was making is the very same possession the rich man acquires without hesitation the poor man dreams about. Does this mean the rich man filled with less desire?

Nietzsche and Wagner met in 1868 at a party in Basel, and talked all night about their common passion for Schopenhauer. They were close friends for the next several years; Nietzsche's first book, The Birth of Tragedy Out of the Spirt of Music, is in large part a polemic in support of Wagner, who was extremely controversial at the time. In a nutshell, Nietzsche "argued" that Wagner's music incarnated the vitality of the ancient Greek culture all good German Romantics admired, but translated into an appropriately German idiom. Nietzsche was an overnight guest when Wagner presented his "Siegfried Idyll" to Cosima (not yet his wife) at their villa Tribschen on Lake Lucerne on Christmas Day—her birthday—in 1870. The following Christmas, Nietzsche was again, and for the last time, Wagner's guest when he presented Cosima with his own birthday composition: "Nachklang einer Sylvesternacht"—which, apparently, reduced Wagner to laughter. This, and several other Nietzsche compositions, are available in various performances; three of his more successful brief songs were recorded by Dietrich Fischer-Dieskau. All of his musical compositions rank as juvenilia, however.

What Nietzsche meant by "spirit" (Geist) is complicated, but in this passage it's not a mystery, and hilde45 has quoted it tellingly. A perennial issue on this forum is the relationship between a love of music and a love of music reproduction. The latter is the real focus of "audiophilia," for better or for worse. But the former is the "spiritual" reason for audio equipment in the first place. Pride in one's audio system is what Nietzsche is criticizing here; development of one's taste by means of one's audio system is what he is trying to praise.