Emm Labs DV2 versus Tambaqui

@lordmelton  Great vinyl should sound like a great recording, studio or hall with close miking.   It won't sound like a highly reverberant hall that is so in vogue for the last 40 years.   Live acoustic music sounds great in a large venue but not so good on vinyl when recorded far from the source.   Rock benefits from close miking as well.   Two different listening environments deserve two different approaches, one for live music and the other for recorded music.   That's my opinion (and the opinion of great recording engineers from the 50's to the 80's.  

@fleschler Why would I want music to sound like vinyl? I've been listening to music for over 50 years and used to have a huge vinyl collection. Digital has now taken over vinyl by a long chalk and you are welcome to it if you want to get up and change sides every 15 mins, with all the dust, fluff, static and scratches...lol.

Real music doesn't sound like vinyl...end of.

Valve amps are unrealistic.

You have to pay real money for good tranny amps.

I am enamored with the Musetec because it's brought me to a place where as others have said they feel everything is right. A rare place to be.

Don't feel like I have to change anything and I've still got ten grand to spend on cables etc.

I won't even address the other stuff you're banging on about, it's a load of bollux.

@arafiq What is a giant killer, and what dac or dacs are the giants? I'd call something like Wadax Reference dac a giant, but dacs in realm of $10k doubful. Pricing of audio components is partly a function of business model. Where the component is designed, manufactured, marketing budget, distributor/dealer network or direct sales, profit margins. Its possible a $10k component actual manufacturing cost could be very close to another component that retails for much less. In this case the higher price component is not a giant, therefore, the lower price unit is not in fact a giant killer.

While I'd generally agree price correlates to quality in audio realm, there are enough products and logical reasons why this may not always hold true. Purchasing products based purely on price is rather like confirmation bias in regard to faulty posits.

Bottom line, direct comparison between two components in the exact same system, preferably one's own, is most valid estimation of a components relative value. Many long term reviews over long period of time in many different systems holds value as well. Price alone, at least without factoring in business models is not very good indicator of value.

@fleschler I agree with you on the close vs. distant miking at least to some extent. I agree too many live classical recordings excessively distant miked. Sounds too messy and blunts dynamics to some extent. I prefer something in between close and distant miking, I want to hear some recording venue ambience. Same for rock, or any genre of music.

@lordmelton @fleschler  I don't see the above as a vinyl vs digital artifact, this is recording artifact. Actually, I think digital and vinyl sound are converging. There has been long and slow progress on resolution and dynamics front in vinyl and more natural timbre in digital. This is good thing to me. One of the differences that will always remain is with streaming or cd rips one can play music continuously, for  me stream of consciousness playback has become critical to my enjoyment. I may create real time playlist of initial song being classical piece, next bluegrass, next electronica, and or I can string two or three cuts of each in any order. I love completely mixed up real time listening, its like my own free form radio station and I'm the dj! Vinyl listening is totally different for me, I get nostalgic with the smell, feel and cover artistry, the work involved in cleaning, changing sides, having to listen to all cuts on album. Completely different mindsets, both have their place.

So I received the Mola Mola Tambaqui, this is Day Two in my system. I am sure it will improve over time.

For reference, the other DACs I’ve heard at home are totaldac (my reference), the latest Weiss, latest Meitner, and the Sonnet Morpheus.

The Mola Mola strikes me as a cross between Weiss and Meither. Like Weiss, it gives you a clear and raw view into the recording, tremendously good resolution. Unlike the Weiss and more like the Meitner, there is a touch of fluidity to the sound, which for me increases the engagement factor and eliminates the fatigue factor. Nothing clinical or mechanical here. There is also a great sense of force and pace with the Tambaqui, it really throws music into the room. Maybe that’s the 6V output, it’s nice that you can select lower voltages as well (which I haven’t tried yet).

These very early impressions are using the Tambaqui’s internal Roon endpoint. I will be trying it with the Grimm MU1 as well (a popular combination), which should be quite a step forward (but raises the cost vs. value issue).