It is hard to make A-B comparison with life concert, especially when best seats are not available. We assume that sound of instruments we hear thru our system is true and later compare everything to it. If I have warm sounding system (added even order harmonics) I will never know how clarinet (only odd harmonics) should really sound. We can still judge dynamics, clarity, extension etc, but it is hard to judge timbre of instruments - at least for me. Trained musicians can hear and have easy access to reference sound.
Do you trust your system?
I was constantly upgrading gear, demoing songs, reading reviews, trying to find out why I had the feeling that the song I was playing shouldn’t sound the way it does. Something off or lacking, I luckily found a set of equipment and a room setup that if a song is off, it’s likely recorded that way. I trust my system to do a decent job. I wonder do others get to a point where they are more critical of mastering techniques than something wrong with their equipment? Admittedly, it’s easier to say how a piece of gear or cable made some significant difference, but in what exactly since the music sources are so wildly manipulated by engineers?
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- 51 posts total
- 51 posts total