Hi Mapman,
Please don't think I'm am saying the MBL is bad. Although I doubt there is much value for what you get. Placement with omi speakers and dipoles can create problems.
Surely all things being equal, reference speakers should(!) pretty much sound the same. Because hopefully they are not editing what is passing through them.
That being said as I mentioned in my post comparing the Sehneiser HD800 to the Audeze LCD3, you would not confuse these reference headphones sonically. They sound very different.
You would have to be mad to say the HD800s are rubbish and utterly bonkers to say the LCD3 are rubbish. You could say the HD800s are tilted upwards towards spacial cues and air. My experience of the MBL. I have heard the Graz ribboned Apogee Diva sound this way too when the ribbons where not run in.
So I guess once we know a particular trait in a speaker (once placement etc are taken into account) then matching of auxiliary equipment becomes as important.
The B&W 801d and the 802d mated with the big Classe reference 400 monos ( as used in Abbey road studios) sounds balanced. But I have also used the 802d in Studios using Bryston with a much less success. Leaving the 802d sounding strained and metallic.
I have a friend who uses the 802d with 2x CJ 350 SS amps which sound very creamy and smooth. So what we have to say is the B&w D speakers are very transparent and rely heavily on the quality of the amp driving it.
Personally I like B&W speakers. Good honest performance.
Please don't think I'm am saying the MBL is bad. Although I doubt there is much value for what you get. Placement with omi speakers and dipoles can create problems.
Surely all things being equal, reference speakers should(!) pretty much sound the same. Because hopefully they are not editing what is passing through them.
That being said as I mentioned in my post comparing the Sehneiser HD800 to the Audeze LCD3, you would not confuse these reference headphones sonically. They sound very different.
You would have to be mad to say the HD800s are rubbish and utterly bonkers to say the LCD3 are rubbish. You could say the HD800s are tilted upwards towards spacial cues and air. My experience of the MBL. I have heard the Graz ribboned Apogee Diva sound this way too when the ribbons where not run in.
So I guess once we know a particular trait in a speaker (once placement etc are taken into account) then matching of auxiliary equipment becomes as important.
The B&W 801d and the 802d mated with the big Classe reference 400 monos ( as used in Abbey road studios) sounds balanced. But I have also used the 802d in Studios using Bryston with a much less success. Leaving the 802d sounding strained and metallic.
I have a friend who uses the 802d with 2x CJ 350 SS amps which sound very creamy and smooth. So what we have to say is the B&w D speakers are very transparent and rely heavily on the quality of the amp driving it.
Personally I like B&W speakers. Good honest performance.