2. amps-preamps
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Rogue Pharaoh II vs Naim Supernait 3 for Revels

Hello! This is my first post here, long time lurker. 

My system is as follows - Rogue Sphinx v2, Revel F206, Matrix X-Sabre Pro MQA dac, Pro-ject RPM 10 Carbon w/Grado Sonata, Graham Slee Reflex M. 

Within the last few years I upgraded from Monitor Silver 8's to the Revels and a Bluesound node to the x-sabre. My system has grown a lot since I first purchased the Sphinx in 2016 and I'm just looking for something nicer. I'd appreciate a larger soundstage and perhaps more bass punch as a I listen to a lot of modern music. 

I've been making my eyes bleed reading about amps for the last year trying to decide and I'm ultimately at naim sn3 and rogue pharaoh.

Knowing that the revels love current, will I be under powering them with the sn3? Will the Pharaoh punch harder? If so, at what cost? 

xlosrnancr
mofojo
2,264 posts
 

If you are open to used I agree with Greg M Musical Fidelity is a great choice. They do not hold their value well at all so that is a consideration buying new. 
 

I picked my A1008 up for $1500 a month ago. I really like it.

For my tastes if the Pharoah sounds anything like the Sphinx It would personally not be my cup of tea. 

verdantaudio's avatar
verdantaudio
1,499 posts
 

The Supernait is wonderful and is all about current, just not absolute wattage.  2 ohms will not cause a strain.  That said, same goes for the Pharoah.  Don't like the stock tubes in the Paroah.  Get some NOS Mullards or Cifte's and you will be super happy.  I drove M105s with a Hydra and NOS Cifte's for a stretch.  

xlosrnancr OP
3 posts
 

Actually went a different route and purchased a NAD C298. Sounds absolutely incredible. Considering pairing it with a Bel Canto Pre5 or a Benchmark LA4. It's currently being fed direct from the Matrix DAC.

mapman's avatar
mapman
22,072 posts
 

Both are winners. For me it would come down to of I really want to have to dabble with tubes or not anymore.

xlosrnancr OP
3 posts
 

No tubes either way, but no I'm over tubes. 

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