@mahgister I agree that leveling a charge such as cultural appropriation is not to be taken lightly, or tossed around willy-nilly. For instance, is Eminem culturally-appropriative, or just exceptionally good at what he does? I think these are good, interesting debates to have.
However, such a charge may have merit in Clapton’s case when his music’s progenitors received little to no recognition, in either a relative sense or a general sense, and then here comes another young British dude doing that stuff and enjoying the era’s fetishization with young white dudes playing “blues,” and thusly receiving commercial success some 100x that of the originators.
At least in Eminem’s care, there were a dozen-or-so originators who had enjoyed a lot of commercial success for a good 15 years preceding him, whereas, again, most of the originators of the blues barely made a living and still had to hold regular jobs.
I think these are important things to look at. History is always written by the winners, and it’s always easy to cry “foul” in the face of criticism when you are the exploiter, while the other side remains the exploited.