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Musetec (LKS) MH-DA005 DAC

Some history: I was the OP on a four year old thread about the Chinese LKS MH-DA004 DAC. It achieved an underground buzz. The open architecture of its predecessor MH-DA003 made it the object of a lot of user mods, usually to its analog section, rolling op amps or replacing with discrete. The MH-DA004 with its new ESS chips and JFET analog section was called better then the modified older units. It has two ES9038pro DAC chips deliberately run warm, massive power supply, powered Amanero USB board, JFET section, 3 Crystek femtosecond clocks, Mundorf caps, Cardas connectors, etc., for about $1500. For this vinyl guy any reservation about ESS chips was resolved by the LKS implimentaion, but their revelation of detail was preserved, something that a listener to classic music especially appreciated. I made a list of DACs (many far more expensive) it was compared favorably to in forums. Modifications continued, now to clocks and caps. Components built to a price can be improved by costlier parts and the modifiers wrote glowingly of the SQ they achieved.

Meanwhile, during the 4 years after release of the MH-DA004, LKS (now Musetec) worked on the new MH-DA005 design, also with a pair of ES9038pro chips. This time he used more of the best components available. One torroidal transformer has silver plated copper. Also banks of super capacitors that act like batteries, solid silver hookup wire, 4 femtoclocks each costing multiples of the Crysteks, a revised Amanero board, more of the best European caps and a new partitioned case. I can't say cost NO object, but costs well beyond. A higher price, of course. Details at http://www.mu-sound.com/DA005-detail.html

The question, surely, is: How does it sound? I'm only going to answer indirectly for the moment. I thought that the MH-DA004 was to be my last DAC, or at least for a very long time. I was persuaded to part with my $$ by research, and by satisfaction with the MH-DA004. Frankly, I have been overwhelmed by the improvement; just didn't think it was possible. Fluidity, clarity, bass extension. A post to another board summed it up better than I can after listening to piano trios: "I have probably attended hundreds of classical concerts (both orchestral and chamber) in my life. I know what live sounds like in a good and bad seat and in a good and mediocre hall. All I can say is HOLY CRAP, this sounds like the real thing from a good seat in a good hall. Not an approximation of reality, but reality."

melm
laoman's avatar
laoman
444 posts
 

Not that it is any of your concern, but I have purchased a Dac. By the way, please do not show your ignorance. Mola Mola is a brand name; the Dac is the Tambaqui. Your comment is equivalent to "Have you bought your Panasonic yet",

lordmelton's avatar
lordmelton
877 posts
 

@romazicon When someone writes a huge Advertorial Diatribe on why I settled for Weiss, well it's just promoting a second rate product using a 10+ year old chip and just as old tech.

Lots of people like the Weiss sound, because they have a house sound, but they are not accurate. That's all I said and it's true. I've demoed the 005 against the Medea and it was like night and day when it came to soundstage. The Medea had no advantage over the 005 and it costs over 10x more.

The Taiko is like the Ferrari of the streamer world and it's complicated (for me) to operate. Aurender is like a Merc, you can use it every day, play golf and shop.

Aurender is Linux based.

The Aurender N30 and W20 SE will hold against the Taiko. My personal preference is for the N20, 005 and a custom 10Mhz clock.

In my system the 005 punches well above it's weight because it's surrounded by quality cables and components.

BTW thanks for the post and your detailed explanation and Eggleston Works have always promoted themselves on their perfect piano re-production. I own three pairs. 

lordmelton's avatar
lordmelton
877 posts
 

By the way, please do not show your ignorance. Mola Mola is a brand name; the Dac is the Tambaqui. Your comment is equivalent to "Have you bought your Panasonic yet", @laoman

So there you go again worrying about what something is called, not how it sounds.

So which DAC did you buy?

sns
3,338 posts
 

Romazicon's experience just goes to show how much synergy matters in system. He has a very resolving system and I believe his impressions legitimate.

 

I too have seen less than stellar reviews of earlier iterations of Amamarro usb boards. I've no fault with board in 005 with my streaming setup, YMMV as Romazicon did. Just goes to show how incredibly complex streaming setups can be, some recipes work, some don't. I don't think he heard full potential of 005 in his setup just as other setups may not  allow other dacs to reach their full potential.

 

The one thing I found interesting is the smearing he heard,  I've tried various streaming networks since getting 005, never heard any of this. I did hear excessive precision with one setup. I'm expecting to hear a  near sota server in my system in short order, should be interesting. I'm also in process of building/modding new server at present, so another  point of reference.

ja_kub_sz's avatar
ja_kub_sz
273 posts
 

@lordmelton @laoman  I just hooked up and listen to my Tambaqui today for about 30 minutes after letting it heat up on my amp. Not that I can say anything definitive other then I really like it. Haven't A/B tested the 005 with it, but right out of the gates I was like "this is something different AND good" when shotgunning it against the 005.

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