Nyev, This is impossible to do because the same speaker in 5 different rooms is going to have 5 different sounds. You can predict sound stage size and depth to a degree whether a speaker is a point source or a line source. Some speakers such as dipole planars and horn are less room sensitive because they have controlled radiation patterns and do not spray sound all over the place creating a multitude of early reflections. From an amplitude perspective you can make a speaker sound any way you want it to if you get a digital room control unit with 1/3 octave EQ capability. Once you get use to using it you will know exactly what you like and how to get there with any loudspeaker. I like the bass boosted below 100 Hz up 6 dB at 20 Hz a flat midrange and the treble rolled off from 1000 Hz. By 20 kHz I am usually down 6 dB but this depends on the recording, some more, some less. With digital EQ you also are able to balance the channels so that they have the exact same frequency response curve which really sharpens the image.
All the speakers you mentioned are excellent and I agree on your evaluation of the looks of Wilsons. I like the workmanship on the Sous Fabers the best. Italians are really good at that. But, I am totally invested in ESLs so perhaps I am not the one to listen to when it comes to dynamic loudspeakers. I would tell you to get Magnepan 20.7s or Sound Labs 545 - 8s.