cleeds, By the way, you were quite right to correct me regarding microphones and etc in the recording chain up to the application of RIAA equalization during the making of an LP. I realized after the fact and before you pointed it out that the recording process per se would have nothing to do with either the application of pre-emphasis or the error margin thereof. Thanks for pointing it out to others.
Phono Stage upgrade to complement Dohmann Helix One Mk 2
Thanks to the recommendations from many users on this Audiogon blog, I think I was able to make a more informed purchase of a turntable, the Dohmann Helix One Mk 2. I've really been enjoying the turntable for the past month!
The next phase of my system now needs attention: the phono stage. Currently, I'm using a Manley Steelhead v2 running into an Ypsilon PST-100 Mk2 SE pre-amplifier (into Ypsilon Hyperion monoblocks, into Sound Lab M745PX electrostatic speakers).
I've been told that I could really improve my system by upgrading the phono stage from the Manley Steelhead (although I've also been told that the Manley Steelhead is one of the best phono stages ever made).
Interestingly, two of the top phono stages that I'm considering require a step-up transformer (SUT). I'm not fully informed about any inherent advantages or disadvantages of using an SUT versus connecting directly to the phono stage itself.
I suppose my current top two considerations for a phono stage are the Ypsilon VPS-100 and the EM/IA LR Phono Corrector, both of which utilize an SUT. I don't have a particular price range, but I find it hard to spend $100k on stereo components, so I'm probably looking in the $15k - $70k price range.
Thanks.
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"Wavestream Kinetics Deluxe Reference Level 5.1." drbond, no_regrets suggestion arguably might be the "best" true all tube phono stage you'll get. https://theaudioarchive.com/TAA_Products_Wavestream_Kinetics.htm Truly on a different level from all other tube units that are suggested. |
@rauliruegas , I understand the Kondo sound you are talking about. Thankfully the new generation Kondo has starkly moved towards accuracy and bandwidth extension. For example their legendary Ongaku is their old design. Refined, smooth, boring and laidback. But their new Gaku-Oh is totally a full frequency dynamic beast. The same is with GE10 phono. The only problem is people can't muster spending $60k on a MM only phonostage. |
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